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Acacia Classic Guitar Backs
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Acacia Classical Guitar Backs

Ref: 10659
Reseñas
€21.18
€17.50
SIN IVA
En stock

 
Política de seguridad

(editar con el módulo de Información de seguridad y confianza para el cliente)

 
Política de entrega

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  • Dimensions: (550x200x4 mm)x2  
  • Botanical Name: Acacia Melanoxylon
  • Origin: Africa, Asia, South America.
  • Density: 640kg/m3
  • Description: Very easy to work with. The Acacia has the sharpness and clarity of a fine Rosewood, but with all the warmth, thick tone and lightness of Mahogany. Its definition of individual note has a magnificent separation, with power and projection almost self-generated.

    Used for both classical and acoustic guitar.

    It’s one of the few woods that are also used as tops in acoustic guitars, as well as sides and backs, becoming a dazzling piece of your instrument. In addition, the Acacia wood gains in sound quality with the use of the instrument over the years.

    Very popular in ukulele manufacture.

  • Quality: These pieces are not classified by qualities and are included within a medium standard of quality, in other words, when we select them we reject the cracked pieces, with serious defects, or broken or useless ones. Therefore, we will always find good pieces that can have some slight defect, nice pieces, or pieces less attractive, always taking in account variations in colour or growth rings that each wood specie may have.

    In the case of Classic Guitar  Backs, even though most of the times we will find cut pieces with straight grain or quarter cut there will be also sometimes specially on the exotic woods like Cocobolo, Ziricote, Exotic Ebony and others, where we can find pieces partly flat cut due to the size of the trees. The cutting of these woods give the instrument an incredible beauty even though we know it is ideal for the sound and the instrument stability.

10659
56 Items

Data sheet

Instrument: Classical / Flamenco Guitar
Wood: Acacia
Part of the Instrument: Back

Reviews

Grade 
BEKNOUN A
 11/02/2023

Excellent

Excellent wood and colors

Grade 
cussigh l
 08/22/2023

acacia classical

I have never used this wood for guitar making, it is very dry, usable immediately. lighter than padouk; I will use it for a folk guitar.
THANKS

Grade 
BEKNOUN A
 08/22/2023

Class

very good wood, colors and sound

Grade 
BEKNOUN A
 08/22/2023

very nice

Nicely selected, great colors

Write your review

Acacia Classical Guitar Backs

  • Dimensions: (550x200x4 mm)x2  
  • Botanical Name: Acacia Melanoxylon
  • Origin: Africa, Asia, South America.
  • Density: 640kg/m3
  • Description: Very easy to work with. The Acacia has the sharpness and clarity of a fine Rosewood, but with all the warmth, thick tone and lightness of Mahogany. Its definition of individual note has a magnificent separation, with power and projection almost self-generated.

    Used for both classical and acoustic guitar.

    It’s one of the few woods that are also used as tops in acoustic guitars, as well as sides and backs, becoming a dazzling piece of your instrument. In addition, the Acacia wood gains in sound quality with the use of the instrument over the years.

    Very popular in ukulele manufacture.

  • Quality: These pieces are not classified by qualities and are included within a medium standard of quality, in other words, when we select them we reject the cracked pieces, with serious defects, or broken or useless ones. Therefore, we will always find good pieces that can have some slight defect, nice pieces, or pieces less attractive, always taking in account variations in colour or growth rings that each wood specie may have.

    In the case of Classic Guitar  Backs, even though most of the times we will find cut pieces with straight grain or quarter cut there will be also sometimes specially on the exotic woods like Cocobolo, Ziricote, Exotic Ebony and others, where we can find pieces partly flat cut due to the size of the trees. The cutting of these woods give the instrument an incredible beauty even though we know it is ideal for the sound and the instrument stability.

Write your review

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