Description of Indian Rosewood Ukelele Soprano Sides
This wood tends to darken the sound and add a warmer tone than other woods, a characteristic much appreciated by guitarists and luthiers. It has many uses, as it is used not only for fingerboards, but also for tops, bridges, headstocks, and other parts.
These flawless pieces are going on sale at a more than attractive discount because they are sizes that we no longer produce, making it a great opportunity to get them at an incredible price. Wait no longer and get one of the last pieces at the best price.
Key Features
Size: 450x70x3,5 mm.
Botanical Name: Dalbergia latifolia
Origin: India
Density: 870-900kg/m3
Requires CITES Certificate for export out of the European Union
10206
89 Items
Data sheet
Instrument: Ukelele
Wood: Indian Rosewood
Part of the Instrument: Sides
Reviews
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<h2 data-start="145" data-end="224"></h2>\r\n<h2 data-start="145" data-end="224"><strong data-start="148" data-end="222">Description of AA Honduras Rosewood Classical Guitar Sides</strong></h2>\r\n<p data-start="239" data-end="772">Honduran Rosewood (<strong data-start="258" data-end="283">Dalbergia stevensonii</strong>), also known as Rosul, is one of the most prized woods for building <strong data-start="352" data-end="386">classical and acoustic guitars</strong>, especially for backs and sides. Its <strong data-start="424" data-end="454">high density and stiffness</strong> provide exceptional projection, delivering a <strong data-start="500" data-end="532">deep and well-balanced sound</strong>, enhancing the <strong data-start="548" data-end="569">bass and midrange</strong> with great harmonic richness. Compared to Brazilian Rosewood, it offers a <strong data-start="644" data-end="697">slightly brighter character in the upper midrange</strong>, making it an ideal choice for guitars with a <strong data-start="744" data-end="769">warm yet defined tone</strong>.</p>\r\n<p data-start="595" data-end="1014">It is a wood that allows for <strong data-start="95" data-end="117" data-is-only-node="">beautiful finishes</strong>, in <strong data-start="122" data-end="142">dark brown tones</strong> with <strong data-start="148" data-end="176">lighter or reddish veins</strong>. In the case of <strong data-start="193" data-end="214">Honduran Rosewood</strong>, most pieces are cut along the grain, meaning quartered or “mallé”, although some may be partially flat-sawn, due to the small diameter of the logs. This also happens with other exotic woods such as Cocobolo, Ziricote, or Exotic Ebony, for example.</p>\r\n<p data-start="1016" data-end="1212">In any case, when these woods are cut this way, although it may not be the most ideal in terms of sound and instrument stability, it will instead endow the instrument with <strong data-start="1188" data-end="1209">incredible beauty</strong>.</p>\r\n<p data-start="1214" data-end="1450">Being an oily wood, it is advisable to thoroughly clean the surfaces before gluing to ensure an optimal bond. <strong data-start="1328" data-end="1349">Honduran Rosewood</strong> is a <strong data-start="1355" data-end="1374">top-tier choice</strong> for luthiers seeking a stable, resonant wood with spectacular aesthetics.</p>\r\n<p data-start="774" data-end="1114"></p>\r\n<h2 data-start="1116" data-end="1154"><strong data-start="1119" data-end="1152">Carefully Selected AA Grade</strong></h2>\r\n<p data-start="1156" data-end="1435">For <strong data-start="1160" data-end="1174">AA grade</strong>, we select <strong data-start="1186" data-end="1224">healthy, visually appealing pieces</strong> with a <strong data-start="1232" data-end="1274">uniform color and evenly spaced fibers</strong>, ensuring a <strong data-start="1287" data-end="1311">harmonious aesthetic</strong>. Occasionally, a piece may have a <strong data-start="1346" data-end="1393">tiny, almost imperceptible knot on one side</strong>, which does not affect its performance.</p>\r\n<p data-start="1437" data-end="1642">Higher grades are distinguished by a <strong data-start="1474" data-end="1493">greater density</strong>, which enhances their <strong data-start="1516" data-end="1554">darker and more elegant appearance</strong> while also improving sound quality, providing a <strong data-start="1603" data-end="1639">faster and more defined response</strong>.</p>\r\n<h2 data-start="1051" data-end="1076"><strong data-start="1055" data-end="1074">Characteristics</strong></h2>\r\n<ul>\r\n<li data-start="1078" data-end="1125"><strong data-start="1080" data-end="1095">Dimensions:</strong> (800x110x3,5mm) x2</li>\r\n<li data-start="1126" data-end="1173"><strong data-start="1128" data-end="1147">Botanical Name:</strong> <em data-start="1148" data-end="1171">Dalbergia stevensonii</em></li>\r\n<li data-start="1174" data-end="1198"><strong data-start="1176" data-end="1187">Origin:</strong> Guatemala</li>\r\n<li data-start="1199" data-end="1226"><strong data-start="1201" data-end="1213">Density:</strong> 1025 kg/m³</li>\r\n</ul>\r\n<p></p>\r\n<div></div>\r\n<div></div>\r\n<p><img alt="" src="https://maderasbarber.com/tonewood/img/cms/medium149.png" width="100" height="57" /></p>\r\n<p> </p>\r\n<p>Requires CITES Certificate for export out of the European Union</p>
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<h2>Overview Ziricote + Sapele Plywood Classical Guitar Sides:</h2>\r\n<p>We don't say it ourselves: you are the ones who make it clear that <strong>ziricote</strong> is <strong>one of the most beautiful woods</strong> in our range, that's why the <strong>Ziricote + Sapele Plywood Classical Guitar Sides</strong> are one of our most sought-after pieces. Like all the sides in this category, they are made up of <strong>3 pieces</strong>, the outside of <strong>ziricote</strong> with wonderful colors, a middle piece of <strong>okume</strong> and the inner layer is made of <strong>sapele</strong>.<br /><br />Laminated wood pieces possess <strong>some qualities superior to solid woods</strong>: <strong>great stability and rigidity</strong>, as well as being virtually immune to cracking due to their structure and construction. And they do not have to detract from the sound of solid pieces, either. There are many builders today who opt for laminated sides or backs for these and other reasons. Not to mention their <strong>economical price</strong>, compared to the same solid wood piece. For a fraction of the price of a solid wood piece, you can enjoy <strong>spectacularly beautiful woods such as ziricote or pale moon ebony</strong>.</p>\r\n<p><strong>The only precaution</strong> to be taken with plywood products is the sanding: since they are made up of two outer veneers of 0.5-0.7 mm, excessive sanding could end up showing the intermediate veneer. <strong>This is not a problem</strong> if we work with high grit sandpaper and due care.<br /><br />As with all our laminated pieces, the backdrops are glued in our facilities with <strong>formaldehyde-free glues</strong> that have passed strict technical controls.</p>\r\n<h2 class="MsoNormal">Features:</h2>\r\n<ul>\r\n<li><strong>Dimensions:</strong> (800x110x2,2/2,4mm)x2</li>\r\n<li><b>Botanical Name Outer Layer: </b><em>Cordia dodecandra</em></li>\r\n<li><b>Botanical Name Middle Layer</b><b>: </b><strong></strong><i>Aucoumea klaineana</i></li>\r\n<li><b>Botanical Name Inner Layer</b><b>: </b><em>Entandrophragma cylindricum</em></li>\r\n<li><strong>Origin: </strong>Africa / America</li>\r\n<li><strong>Density:</strong> 825 Kg/m<sup>3</sup></li>\r\n</ul>\r\n<p></p>\r\n<p><iframe width="615" height="346" src="https://www.youtube.com/embed/SgVAQo0SXBk" title="Artesanía en cada detalle: conoce el trabajo detrás de nuestros aros y fondos contrachapados" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe></p>
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<h2>Overview AAA Santos Rosewood Acoustic Guitar Sides:</h2>\r\n<p>Santos Rosewood -also known as Pau Ferro- has been used for some time as a <strong>sustainable alternative</strong> to rosewood, although it is not related to the Dalbergia genus. This wood has exceptional acoustic and mechanical qualities.<br /><br />It is <strong>hard, lustrous, and finishes</strong> well, although there may be some areas that may be hard to sand due to some interlocked grain and, because of the natural oils, care must be taken when gluing. It has been used for years by some electric guitar manufacturers -<strong>Fender</strong> for example- and many luthiers consider it one of the best woods for guitars. Its appearance, although it can initially be confused with other woods, is unique to the keen eye of a guitar aficionado.</p>\r\n<p>As mentioned above, Santos Rosewood is a sustainable timber. It is <strong>widely available</strong>, is not listed in the CITES convention and is not considered endangered by any organization. This along with its properties make it <strong>a truly perfect wood for instrument making</strong> and you can have the guarantee that you are using a wood that is not threatened.</p>\r\n<h2 class="MsoNormal">How are Santos Rosewood's sides classified?</h2>\r\n<p>In santos rosewood sides you will find some of the pieces with <strong>the widest range of colors</strong> in our catalog. The colors oscillate from brown to vanilla yellow, including violet or orange hues. Sometimes even all in the same piece.</p>\r\n<p><strong>In the AAA grade</strong> we will find pieces of <strong>undeniable beauty</strong>. In this wood it is not so relevant that the wood has a straight grain. There are many pieces that deserve to be in this grade because of their <strong>amazing appearance</strong>. We will not find defects in this category except for the most inappreciable ones: some slight discoloration, a hint of a knot, etc.</p>\r\n<h2 class="MsoNormal">Features:</h2>\r\n<ul>\r\n<li><strong>Dimensions:</strong> (825/860x125/140x3,5mm)x2</li>\r\n<li><b>Botanical Name: </b><em>Machaerium scleroxylon</em></li>\r\n<li><strong>Origin: </strong>Brazil</li>\r\n<li><strong>Density</strong>: 940 Kg/m<sup>3</sup></li>\r\n</ul>\r\n<p></p>
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<h2>Overview AAA Cocobolo Classical Guitar Sides:</h2>\r\n<p><strong>AAA Cocobolo Classical Guitar Sides</strong> are pieces of a very hard wood, native to Central and South America, with a range of colors from a vibrant orange to a very dark brown, with all shades in between. Marked streaks that form beautiful patterns are also common. Some pieces even have purple tones and the use of pieces with some sapwood, in a beautiful vanilla color, is also common in luthiery. Few woods are as beautiful as <strong>cocobolo</strong>, which only needs to be carefully glued due to the high presence of natural oils.</p>\r\n<h2 class="MsoNormal">How is cocobolo classified?</h2>\r\n<p>In the <strong>AAA quality classical guitar sides</strong> we will find the best pieces of our catalog: impressive unique patterns, vibrant colors in the whole range that cocobolo has, which is already very broad. Pieces which are worthy of the most exclusive and high-end guitars.<span style="text-decoration: line-through;"><br /></span></p>\r\n<h2 class="MsoNormal">Features:</h2>\r\n<ul>\r\n<li><strong>Dimensions:</strong> (800x110x3,5 mm)x2</li>\r\n<li><b>Botanical Name: </b><em>Dalbergia retusa</em></li>\r\n<li><strong>Origin: </strong>Mexico</li>\r\n<li><strong>Density:</strong> 990–1250 Kg/m<sup>3</sup></li>\r\n</ul>\r\n<p><img src="https://maderasbarber.com/tonewood/img/cms/medium149.png" alt="" width="100" height="57" /></p>\r\n<p>Requires CITES Certificate for export out of the European Union</p>\r\n<p></p>
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<ul><li><strong>Dimensions:</strong> (800x110x3,5 mm)x2</li>\r\n</ul><ul><li><strong>Botanical Name:</strong> <em><em>Acer pseudoplatanus</em></em></li>\r\n</ul><ul><li><strong>Origin: </strong>Center and East Europe<strong></strong></li>\r\n</ul><ul><li><strong>Density</strong>: 610 – 680 kg/m3</li>\r\n</ul><ul><li><strong><strong>Quality: </strong></strong><span><span>These pieces are not classified by qualities and are included within a medium standard of quality, in other words, when we select them we reject the cracked pieces, with serious defects, or broken or useless ones. Therefore, we will always find good pieces that can have some slight defect, nice pieces, or pieces less attractive, always taking in account variations in colour or growth rings that each wood specie may have.</span></span>\r\n<p> </p>\r\n<strong><strong></strong></strong>\r\n<p><span>We are very careful when we select the sides because of knots, depending on where they are they can crack the sides during bending process.</span></p>\r\n<p><span>We also have to take care when working with sides that are not quarter as they can crack easily during bending process. Despite all this, as with the exotic backs we can find flat cut sides, those would be perfect for these backs.</span></p>\r\n</li>\r\n</ul>
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<h2>Overview AA Curly Maple Acoustic Guitar Sides:</h2>\r\n<p>In our opinion, few woods have the potential of a curly maple side. Usually used by prestigious builders such as <strong>Santa Cruz</strong> or <strong>Bourgeois</strong>, or in iconic models such as <strong>Gibson's SJ-200</strong>. It is undoubtedly <strong>one of the most sought after tonewoods</strong> for its acoustic qualities.<br /><br />Experts say that it has a brighter tone than mahogany, with a faster attack and a very quick response to the touch. All this without even taking into account its incredible curly aspect, which acquires <strong>almost three-dimensional shades</strong> once it has been lacquered.<br /><br />European maple - Acer pseudoplatanus - is <strong>a light-colored wood, with golden reflections</strong> that intensify when oxidized. It is a wood with no appreciable grain, which in many cases eliminates the need to use a filler. It is easy to work despite its hardness (although it requires sharp tools) and a <strong>bright and attractive finish</strong> can be achieved simply by using a scraper or planer, without even needing sandpaper. It is undoubtedly one of the most pleasant woods to work with.</p>\r\n<p>In the AA grade backs you will find excellent pieces, with a <strong>good amount of flaming</strong>. The same as in AAA grade, white with golden reflections that may present some stains or knots. They are usually matched with a back of the same quality.</p>\r\n<h2 class="MsoNormal">Features:</h2>\r\n<ul>\r\n<li><strong>Dimensions</strong><strong>: </strong>(825/860x125/140x4 mm)x2</li>\r\n<li><strong>Botanical Name: </strong><em>Acer pseudoplatanus</em></li>\r\n<li><strong>Origin: </strong>Center and East Europe</li>\r\n<li><strong>Density:</strong> 610–680 kg/m<sup>3</sup></li>\r\n</ul>\r\n<p></p>
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<ul><li><strong>Dimensions</strong><strong>: </strong>(530x100x3,5 mm)x2<strong><br /></strong></li>\r\n</ul><ul><li><strong>Botanical Name: </strong><em>Dalbergia latifolia</em><strong></strong><strong></strong><strong></strong><strong></strong></li>\r\n</ul><ul><li><strong><strong>Origin: </strong></strong>India<strong><strong></strong></strong></li>\r\n</ul><ul><li><strong>Density:</strong> 870-900 kg/m<sup>3</sup>.</li>\r\n</ul><ul><li><strong><strong><strong>Quality: </strong></strong></strong><span><span>These pieces are not classified by qualities and are included within a medium standard of quality, in other words, when we select them we reject the cracked pieces, with serious defects, or broken or useless ones. Therefore, we will always find good pieces that can have some slight defect, nice pieces, or pieces less attractive, always taking in account variations in colour or growth rings that each wood specie may have.</span></span>\r\n<p> </p>\r\n<strong><strong><strong></strong></strong></strong>\r\n<p><span>We are very careful when we select the sides because of knots, depending on where they are they can crack the sides during bending process.</span></p>\r\n<p><span>We also have to take care when working with sides that are not quarter as they can crack easily during bending process. Despite all this, as with the exotic backs we can find flat cut sides, those would be perfect for these backs.</span></p>\r\n<strong><strong> </strong></strong></li>\r\n</ul><p><img src="https://maderasbarber.com/tonewood/img/cms/medium149.png" alt="" height="57" width="100" /></p>\r\n<p> </p>\r\n<p>Requires CITES Certificate for export out of the European Union</p>
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<h2>Overview FSC 100% AAA African Exotic Ebony Classical Guitar Sides:</h2>\r\n<p class="MsoNormal"><strong>Exotic ebony</strong> is a wood that presents <strong>a beautiful color contrast</strong> between the dark black characteristic of ebony and lighter areas of pale yellow to pinkish color, in really colorful lengthwise strip patterns. These pieces will generally be counter grained, which gives them a great variation of colors and <strong>a unique look</strong>. In addition, the ravishingly smooth look of exotic ebony adds a touch of elegance and sophistication to the overall aesthetics of the instrument.</p>\r\n<h2 class="MsoNormal">Exotic ebony grading:</h2>\r\n<p class="MsoNormal">In the <strong>AAA grade</strong> you will find the most colorful pieces with the most eye-catching patterns among those available. Intense and frequent color variations, but always with an aesthetic sense and <strong>excellent quality</strong> (no pinholes, cracks, etc.). <strong>Each of these pieces is truly unique</strong>, which makes it very difficult to establish a uniform criteria, but in any case they are pieces worthy of being part of high-end guitars.</p>\r\n<h2 class="MsoNormal">Features:</h2>\r\n<ul>\r\n<li><strong>Dimensions</strong><strong>:</strong> (800x110x3,5 mm)x2</li>\r\n<li><strong>Botanical Name:</strong><b> </b><strong></strong><em>Diospyros crassiflora Hiern</em></li>\r\n<li><strong>Origin: </strong>Cameroon</li>\r\n<li><strong>Density:</strong> 1000-1275 Kg/m<sup>3</sup></li>\r\n</ul>\r\n<p></p>
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<p></p>\n<ul><li><strong>Dimensions</strong><strong>: </strong>(530x100x3,5 mm)x2<strong><br /></strong></li>\n</ul><ul><li><strong>Botanical Name: </strong><em>Acer pseudoplatanus</em><strong></strong><strong></strong><strong></strong><strong></strong></li>\n</ul><ul><li><strong><strong>Origin: </strong></strong>Center and East Europe<strong><strong></strong></strong></li>\n</ul><ul><li><strong>Density:</strong> 610 – 680 kg/m<sup>3</sup></li>\n</ul><ul><li><strong><strong><strong>Quality: </strong></strong></strong><span><span>These pieces are not classified by qualities and are included within a medium standard of quality, in other words, when we select them we reject the cracked pieces, with serious defects, or broken or useless ones. Therefore, we will always find good pieces that can have some slight defect, nice pieces, or pieces less attractive, always taking in account variations in colour or growth rings that each wood specie may have.</span></span>\n<p> </p>\n<strong><strong><strong></strong></strong></strong>\n<p><span>We are very careful when we select the sides because of knots, depending on where they are they can crack the sides during bending process.</span></p>\n<p><span>We also have to take care when working with sides that are not quarter as they can crack easily during bending process. Despite all this, as with the exotic backs we can find flat cut sides, those would be perfect for these backs.</span></p>\n<strong><strong> </strong></strong></li>\n</ul><p><img src="https://maderasbarber.com/tonewood/img/cms/medium149.png" alt="" height="57" width="100" /></p>\n<p> </p>\n<p>Requires CITES Certificate for export out of the European Union</p>
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