Colours: The Rainbow Colours pack comprises black, white, blue, green, orange, purple, red, royal blue and yellow
Description: Easily intermixed, these trial packs may be used to mix up a particular shade for matching when carrying out repairs or working up a recipe for larger pieces before purchase of full quantities.
10303
6 Items
Data sheet
Instrument: Classical / Flamenco Guitar
Electric Guitar
Specific References
UPC: 66778899
Reviews
No customer reviews for the moment.
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<h2><strong>Overview Nitorlack® Aztec Gold Nitrocellulose Lacquer Spray</strong></h2>\r\n<p data-start="457" data-end="598">The <strong data-start="461" data-end="475">Aztec Gold</strong> color was added to the <strong data-start="499" data-end="509">Fender</strong> catalog in <strong data-start="521" data-end="529">1983</strong> as a <strong data-start="535" data-end="545">Custom</strong> finish in the <strong data-start="560" data-end="569">Elite</strong> series (Japan, 1983-1986).</p>\r\n<p data-start="600" data-end="755">Since then, it has been used in several <strong data-start="640" data-end="661">Fender Jazzmaster</strong>, <strong data-start="663" data-end="677">Telecaster</strong>, and <strong data-start="683" data-end="699">Stratocaster</strong> models, including the <strong data-start="722" data-end="752">Lincoln Brewster Signature</strong>.</p>\r\n<p data-start="757" data-end="815">This color is based on the legendary <strong data-start="794" data-end="812">1972 Buick GSX</strong>.</p>\r\n<p></p>\r\n<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n<h2 class="MsoNormal"><strong>Features</strong></h2>\r\n<ul>\r\n<li><strong>Quantity</strong>: 400ml.</li>\r\n<li><strong>Format</strong>: Spray</li>\r\n<li><strong>Color</strong>: Aztec Gold</li>\r\n</ul>\r\n<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<h2><strong>Kit 3 DYES COLORS NITORLACK</strong></h2>\r\n<ul><li><strong>Kit contents:</strong> NitoTint<strong> Black</strong> Spray, NitorTint <strong>Red</strong> Spray, NitorTint <strong>Yellow</strong> Spray, Nitorlack <strong>Primer Spray</strong>(Hairspray).</li>\r\n<li><strong>Quantity:</strong> 400ml</li>\r\n<li><strong>Description</strong>: <strong>Dyes</strong> that you need to paint your guitar in <strong>3 tone sunburst</strong> in an easy and simple way, without the need of painting equipment. We explain all the steps to follow with tutorials and videos. We also have available a <strong>transparent finishing kit</strong>, with the necessary products to perform the Primer Spray and Finishing process.</li>\r\n</ul><p><strong><span style="color:#71a32f;">Flammable product. Airfreight shipment is not allowed. 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This will give an approximate <strong>thickness</strong> of <strong>150 microns (0.15mm)</strong> depending on how much is sanded, how much lacquer is applied to each coat, and what thickness of finish is desired.</p>\r\n<p>If an instrument has not been finished beforehand, it is advisable to apply about 9 to 12 coats, so that you will be sure not to sand or polish the finish excessively, leaving parts with “bare” wood. As more experience is gained with the product and finishing method, fewer coats will be required and finer finishes can be achieved.</p>\r\n<p>If when applying it happens that you accidentally have a “sag” or “drip”, the finish must be allowed to dry for 24 hours and level by sanding with <strong>P400 sandpaper</strong>, preferably on a block of hard material. You can also “cut” the drip with a razor blade, a faster method and with which accidents that can cause excessive sanding are avoided. To become familiar with the process, it is a good idea to do tests on scrap wood, in order to evaluate for yourself the characteristics of the process of finishing a guitar with “Nitorlack” guitars.</p>\r\n<p>It is also advisable to use a <strong>“witness” surface</strong> on which to apply the lacquer layers at the same time as on the piece to be finished. A piece of paper glued with masking tape to a rigid support (wood, thick cardboard) is a suggestion. Thus, by first measuring the thickness of the paper with a caliper and then measuring the resulting thickness of the successive layers once dry, you will have a fairly accurate idea of the thickness of the layer that is being applied and thus be able to have a more accurate idea of the thickness Of the same. 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