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NITORLACK® Vintage White BR (500ml)
Ref: 10553
Últimas unidades
Quantity : 500mlColour : Vintage WhiteDescription : Classic "Vintage White" finish gloss spray. Commercialised finish by Fender from the last 60s till the 74. Is a yellow-cream colour that varies importantly depending on the Fender manufactiring period.Instructions for use
Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.
Reference
10553
In stock
5 Items
Data sheet
Instrument: Electric Guitar
Specific References
UPC: 66778899
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<h2>NITORLACK NITORAQUA STAIN PURPLE</h2>\r\n
<ul><li><strong>Quantity: </strong>250 ml</li>\r\n
<li><strong>Colour: </strong>Purple</li>\r\n
<li><strong>Description: </strong><b>NitorAqua</b> <strong>stain</strong> are applied manually in a very simple way, with a small sponge or wrist pad. </li>\r\n
</ul><p>These stains bring out the color between the hard and soft parts of the guitar wood, showing <strong>the natural shape of the wood</strong> and the pore in woods such as ash. </p>\r\n
<p>If you have a Flamed and Quilted effect wood, you will obtain an impressive 3D effect.</p>\r\n
<p>In addition to these stains, you can finish your guitar with any of the <strong>Nitorlack</strong> <strong>products</strong>, with water-based finishes such as <strong>nitrocellulose or polyurethane</strong>.</p>\r\n
<h2><br />STAIN APPLICATION PROCESS</h2>\r\n
<p>Before starting, we recommend you to do a <strong>small test of the chosen color</strong> on a sample wood as close as possible to the guitar.</p>\r\n
<p></p>\r\n
<p>With a <strong>small sponge</strong>, make the necessary tests before applying it on the guitar, checking the <strong>intensity of the color and the necessary layers</strong> to achieve the desired effect. It can be diluted with water to obtain the final color with more layers.</p>\r\n
<p></p>\r\n
<p>When the color is chosen, it is time to apply it directly on your <strong>guitar</strong>.</p>\r\n
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/6da_rG5j0ko" title="YouTube video player" frameborder="0"></iframe></p>\r\n
<p></p>\r\n
<h3>STEPS TO FOLLOW:</h3>\r\n
<ul><li>Prepare the guitar with <strong>P240 sandpaper</strong> until the surface is smooth.</li>\r\n
<li><strong>Humidify the surface of the guitar with water</strong> and let it dry to remove the strand.</li>\r\n
<li><strong>Sand with P400 sandpaper</strong> to remove the strand and leave the guitar ready to apply.</li>\r\n
<li>Cover with masking tape the surfaces that we do not want to tint or avoid staining.</li>\r\n
<li><strong>Shake the can</strong> well before loading the sponge or the sponge (VERY IMPORTANT).</li>\r\n
<li>In a small piece of sponge put <strong>4 or 5 drops of stain</strong> and apply directly on the guitar. Spread it well making longitudinal movements all over the guitar until the stain is perfectly distributed.</li>\r\n
<li><strong>Work in sections</strong>, for example, start from the lowest side and work upwards. Apply from the center of the section towards the outside to avoid spilling over the sides.</li>\r\n
<li>If we want <strong>more color intensity</strong> we can apply another coat of stain, sanding lightly with P400 beforehand.</li>\r\n
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<h2>Overview Hazelnut Concentrated Dye NITORLACK® (0,25l):</h2>\r\n
<p>The concentrated dyes of the NitorTint series from Nitorlack are dyes used in all types of instruments. Their main qualities include <strong>high transparency, good matching power, fast drying and resistance to the bleaching effect of sunlight</strong>. These products enhance the grain and beauty of the wood.<br /><br />Dilute them together to get the custom color you desire. These concentrated dyes have a double function. First, they can be diluted with a solvent and applied directly to the wood with a cloth or spray gun. And they can also be used to add color to the finishing varnish. They are universal dyes that can be diluted in <strong>solvent, water or alcohol</strong>. In the case of application with a cloth, it is recommended to use water or Nitorlack Retard solvent. The manufacturer recommends diluting at a ratio of between 3% and 10% NitorTINT dye depending on the type of application.</p>\r\n
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<li><strong>Quantity</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Hazelnut</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">INSTRUCTIONS FOR USE</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">SEE CONCENTRATED DYE SAFETY DATA SHEET</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>\r\n
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The concentrated dyes of the NitorTint series from Nitorlack are dyes used in all types of instruments.
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<li><strong>Description</strong>: Easily intermixed, these trial packs may be used to mix up a particular shade for matching when carrying out repairs or working up a recipe for larger pieces before purchase of full quantities. </li>\r\n
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<h2><strong>Overview Nitorlack® Sherwood Green Nitrocellulose Lacquer Spray</strong></h2>\r\n
<p data-start="356" data-end="408">Classic <strong data-start="364" data-end="398">Sherwood Green Fender Metallic</strong> finish. A <strong data-start="412" data-end="440">solid metallic pigmented</strong> color, inspired by the <strong data-start="464" data-end="496">1957 Lincoln (Vermont Green)</strong>. Used between <strong data-start="514" data-end="531">1960 and 1965</strong>, it was not a common <strong data-start="553" data-end="563">Fender</strong> finish, making it highly sought after by collectors.</p>\r\n
<p></p>\r\n
<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n
<h2 class="MsoNormal"><strong>Features</strong></h2>\r\n
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<li><strong>Quantity</strong>: 400ml.</li>\r\n
<li><strong>Format</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Sherwood Green</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
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<h2>Overview Sapele Concentrated Dye NITORLACK® (0,25l):</h2>\r\n
<p>The concentrated dyes of the NitorTint series from Nitorlack are dyes used in all types of instruments. Their main qualities include <strong>high transparency, good matching power, fast drying and resistance to the bleaching effect of sunlight</strong>. These products enhance the grain and beauty of the wood.<br /><br />Dilute them together to get the custom color you desire. These concentrated dyes have a double function. First, they can be diluted with a solvent and applied directly to the wood with a cloth or spray gun. And they can also be used to add color to the finishing varnish. They are universal dyes that can be diluted in <strong>solvent, water or alcohol</strong>. In the case of application with a cloth, it is recommended to use water or Nitorlack Retard solvent. The manufacturer recommends diluting at a ratio of between 3% and 10% NitorTINT dye depending on the type of application.</p>\r\n
<h2 class="MsoNormal">Características:</h2>\r\n
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<li><strong>Quantity</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Sapele</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">INSTRUCTIONS FOR USE</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">SEE CONCENTRATED DYE SAFETY DATA SHEET</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>\r\n
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<h2>NITORLACK NITORAQUA STAIN YELLOW SANTANA</h2>\r\n
<ul><li><strong>Quantity: </strong>250 ml</li>\r\n
<li><strong>Colour: </strong>Yellow Santana</li>\r\n
<li><strong>Description: </strong><b>NitorAqua</b> <strong>stain</strong> are applied manually in a very simple way, with a small sponge or wrist pad. </li>\r\n
</ul><p>These stains bring out the color between the hard and soft parts of the guitar wood, showing <strong>the natural shape of the wood</strong> and the pore in woods such as ash. </p>\r\n
<p>If you have a Flamed and Quilted effect wood, you will obtain an impressive 3D effect.</p>\r\n
<p>In addition to these stains, you can finish your guitar with any of the <strong>Nitorlack</strong> <strong>products</strong>, with water-based finishes such as <strong>nitrocellulose or polyurethane</strong>.</p>\r\n
<h2><br />STAIN APPLICATION PROCESS</h2>\r\n
<p>Before starting, we recommend you to do a <strong>small test of the chosen color</strong> on a sample wood as close as possible to the guitar.</p>\r\n
<p></p>\r\n
<p>With a <strong>small sponge</strong>, make the necessary tests before applying it on the guitar, checking the <strong>intensity of the color and the necessary layers</strong> to achieve the desired effect. It can be diluted with water to obtain the final color with more layers.</p>\r\n
<p></p>\r\n
<p>When the color is chosen, it is time to apply it directly on your <strong>guitar</strong>.</p>\r\n
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/pSXaEQox5jE" title="YouTube video player" frameborder="0"></iframe></p>\r\n
<p></p>\r\n
<h3>STEPS TO FOLLOW:</h3>\r\n
<ul><li>Prepare the guitar with <strong>P240 sandpaper</strong> until the surface is smooth.</li>\r\n
<li><strong>Humidify the surface of the guitar with water</strong> and let it dry to remove the strand.</li>\r\n
<li><strong>Sand with P400 sandpaper</strong> to remove the strand and leave the guitar ready to apply.</li>\r\n
<li>Cover with masking tape the surfaces that we do not want to tint or avoid staining.</li>\r\n
<li><strong>Shake the can</strong> well before loading the sponge or the sponge (VERY IMPORTANT).</li>\r\n
<li>In a small piece of sponge put <strong>4 or 5 drops of stain</strong> and apply directly on the guitar. Spread it well making longitudinal movements all over the guitar until the stain is perfectly distributed.</li>\r\n
<li><strong>Work in sections</strong>, for example, start from the lowest side and work upwards. Apply from the center of the section towards the outside to avoid spilling over the sides.</li>\r\n
<li>If we want <strong>more color intensity</strong> we can apply another coat of stain, sanding lightly with P400 beforehand.</li>\r\n
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<h2><strong>Overview Nitorlack® Hot Rod Red Nitrocellulose Lacquer Spray</strong></h2>\r\n
<p data-start="264" data-end="304">Classic <strong data-start="272" data-end="294">Fender Hot Rod Red</strong> finish. This color is <strong data-start="320" data-end="347">10% to 15% more intense</strong> than <strong data-start="353" data-end="367">Torino Red</strong>. It adds <strong data-start="380" data-end="393">character</strong> and <strong data-start="398" data-end="407">depth</strong> to the guitar’s finish.</p>\r\n
<p></p>\r\n
<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n
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<li><strong>Quantity</strong>: 400ml.</li>\r\n
<li><strong>Format</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Hot Rod Red</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<h2><strong>Overview Nitorlack® Cherry Nitrocellulose Lacquer Spray</strong></h2>\r\n
<p data-start="187" data-end="222">Classic <strong data-start="195" data-end="212">Cherry Gibson</strong> finish. A solid <strong data-start="232" data-end="242">Cherry</strong> color, widely used by <strong data-start="265" data-end="275">Gibson</strong>.</p>\r\n
<p></p>\r\n
<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n
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<li><strong>Quantity</strong>: 400ml.</li>\r\n
<li><strong>Format</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Cherry</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<li><strong>Description</strong>: Matte Vintage Amber dye finish.<br />Get the vintage tone of the old necks thanks to the thin layers of toned finish until you get the desired intensity.</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/[250005][250005-nitorlackambarvintagespray][9][es-ES].PDF" class="btn btn-default">SAFETY DATA SHEET</a></p>\r\n
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<h2>Overview Teal Concentrated Dye NITORLACK® (0,25l):</h2>\r\n
<p>The concentrated dyes of the NitorTint series from Nitorlack are dyes used in all types of instruments. Their main qualities include <strong>high transparency, good matching power, fast drying and resistance to the bleaching effect of sunlight</strong>. These products enhance the grain and beauty of the wood.<br /><br />Dilute them together to get the custom color you desire. These concentrated dyes have a double function. First, they can be diluted with a solvent and applied directly to the wood with a cloth or spray gun. And they can also be used to add color to the finishing varnish. <strong>Teal cannot be diluted in water, but can be diluted in solvents or alcohol, making it an exception in the Nitortint family.</strong> In the case of application with a cloth, it is recommended to use water or Nitorlack Retard solvent. The manufacturer recommends diluting at a ratio of between 3% and 10% NitorTINT dye depending on the type of application.</p>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">INSTRUCTIONS FOR USE</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">SEE CONCENTRATED DYE SAFETY DATA SHEET</a></p>\r\n
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The concentrated dyes of the NitorTint series from Nitorlack are dyes used in all types of instruments.
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<h2><strong>Overview Nitorlack® Oxford Gray Nitrocellulose Lacquer Spray</strong></h2>\r\n
<p data-start="637" data-end="826">The <strong data-start="641" data-end="669">Gibson Les Paul Standard</strong> was first produced in 1958, during a time when custom color options from major automotive manufacturers were becoming a popular trend in American culture.</p>\r\n
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<p></p>\r\n
<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<ul>\r\n
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<li><strong>Description</strong>: Amber Vintage dye finish.<br />Get the vintage tone of the old necks thanks to thin layers of toned finish until you get the desired intensity.</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<h2><strong>Kit 3 DYES COLORS NITORLACK</strong></h2>\r\n
<ul><li><strong>Kit contents:</strong> NitoTint<strong> Black</strong> Spray, NitorTint <strong>Red</strong> Spray, NitorTint <strong>Yellow</strong> Spray, Nitorlack <strong>Primer Spray</strong>(Hairspray).</li>\r\n
<li><strong>Quantity:</strong> 400ml</li>\r\n
<li><strong>Description</strong>: <strong>Dyes</strong> that you need to paint your guitar in <strong>3 tone sunburst</strong> in an easy and simple way, without the need of painting equipment. We explain all the steps to follow with tutorials and videos. We also have available a <strong>transparent finishing kit</strong>, with the necessary products to perform the Primer Spray and Finishing process.</li>\r\n
</ul><p><strong><span style="color:#71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>\r\n
<p></p>\r\n
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/X0xxSVJek4E" title="YouTube video player" frameborder="0"></iframe></p>\r\n
<h2></h2>\r\n
<h2></h2>\r\n
<h2><strong>STAIN APPLICATION PROCESS</strong><br /><br /></h2>\r\n
<p><strong>1- GUITAR PAINT PREPARATION</strong></p>\r\n
<p>We start from a guitar body already primered and prepared to apply the sunburst kit.</p>\r\n
<p>You can see the entire preparation process and buy the products with this kit</p>\r\n
<p><strong>2- YELLOW BASE TINT APPLICATION</strong></p>\r\n
<p>We will sand with <strong>P800</strong> <strong>grain</strong> until the entire guitar is perfectly tinted and with this we will achieve a perfectly smooth base with a grip for the yellow tint.</p>\r\n
<p>We apply <strong>NitorTint Yellow Spray</strong> evenly on both sides of the guitar, crossing the application to make it as uniform as possible, it is not necessary to apply the edges because we will cover it later</p>\r\n
<p>We fix the stain with 1 thin coat of <strong>NitorLack Primer</strong></p>\r\n
<p>Let it dry for at least 1 hour. (preferably 2 to 3 hours)</p>\r\n
<p><strong>3- BLACK TINT APPLICATION</strong></p>\r\n
<p>We will sand with P800 grain until the entire guitar is tinted, be careful not to get the yellow tint, we run the risk of peeling</p>\r\n
<p>We apply <strong>NitorTint Black Spray</strong> along the edge of the guitar until it is covered. Try to apply from the inside out so as not to stain the center.</p>\r\n
<p>If a drop of dye falls in the center that we want to remove, we will now do it by sanding with P800 very soft. Always before setting the dye.</p>\r\n
<p>Once finished, we fix the stain with 1 thin coat of NitorLack Primer</p>\r\n
<p>Let it dry for at least 1 hour. (preferably 2 to 3 hours)</p>\r\n
<p><strong>4- RED TINT APPLICATION</strong></p>\r\n
<p>We will sand with P800 grain until the entire guitar is tinted, be careful not to get the yellow or black tint on the edges, we run the risk of peeling</p>\r\n
<p>We apply NitorTint Black Spray between black and yellow. Try to apply from the inside out so as not to stain the center.</p>\r\n
<p>If a drop of dye falls in the center that we want to remove, we will now do it by sanding with P800 very soft. Always before setting the dye.</p>\r\n
<p>Once finished, we fix the stain with 1 thin coat of NitorLack Primer</p>\r\n
<p>Let it dry for at least 1 hour. (preferably 2 to 3 hours)</p>\r\n
<p><strong>5- FINAL FINISHING OF THE GUITAR</strong></p>\r\n
<p>You can see the entire finishing process and buy the products with this kit<br /><br /></p>\r\n
<p></p>\r\n
<p><strong>GENERAL RECOMMENDATIONS</strong></p>\r\n
<p>Shake the sprays vigorously <strong>for 3 to 5 minutes</strong> before application. Apply to a witness surface before doing it on the guitar.</p>\r\n
<p>A finish with Nitorlack, depending on different factors, should have a total of <strong>6 to 10 coats in total</strong>, counting background – color – finish, with a minimum of 3-4 coats of gloss finish. This will give an approximate <strong>thickness</strong> of <strong>150 microns (0.15mm)</strong> depending on how much is sanded, how much lacquer is applied to each coat, and what thickness of finish is desired.</p>\r\n
<p>If an instrument has not been finished beforehand, it is advisable to apply about 9 to 12 coats, so that you will be sure not to sand or polish the finish excessively, leaving parts with “bare” wood. As more experience is gained with the product and finishing method, fewer coats will be required and finer finishes can be achieved.</p>\r\n
<p>If when applying it happens that you accidentally have a “sag” or “drip”, the finish must be allowed to dry for 24 hours and level by sanding with <strong>P400 sandpaper</strong>, preferably on a block of hard material. You can also “cut” the drip with a razor blade, a faster method and with which accidents that can cause excessive sanding are avoided. To become familiar with the process, it is a good idea to do tests on scrap wood, in order to evaluate for yourself the characteristics of the process of finishing a guitar with “Nitorlack” guitars.</p>\r\n
<p>It is also advisable to use a <strong>“witness” surface</strong> on which to apply the lacquer layers at the same time as on the piece to be finished. A piece of paper glued with masking tape to a rigid support (wood, thick cardboard) is a suggestion. Thus, by first measuring the thickness of the paper with a caliper and then measuring the resulting thickness of the successive layers once dry, you will have a fairly accurate idea of the thickness of the layer that is being applied and thus be able to have a more accurate idea of the thickness Of the same. A thickness of 150 to 180 microns (0.15 to 0.18 mm) guarantees a fine finish, which respects the vibrations of the instrument, while protecting it, avoiding excessive thicknesses</p>\r\n
<p>Always <strong>apply thin coats</strong>. Let dry 24 hours and sand between coats. Apply in crossed hands to distribute the product well. Apply with a distance of approximately 15 to 20 cm.<br /><br /></p>\r\n
<p><strong>SAFETY RECOMMENDATIONS</strong></p>\r\n
<p>Apply in ventilated places or with extraction. Wear protective gloves, clothing, glasses and a mask. Wash thoroughly after handling. In case of eye contact: Rinse carefully with water for several minutes. Remove contact lenses when present and can be done easily. Continue with the wash. Highly flammable liquid and vapor. Causes skin irritation. Causes serious eye damage. May cause drowsiness or vertigo</p>
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<h2><strong>Overview Nitorlack® Translucid Blue Nitrocellulose Lacquer Spray</strong></h2>\r\n
<p data-start="559" data-end="647"><strong data-start="559" data-end="601">Semi-pigmented translucent blue finish</strong>, allowing the wood grain to remain visible.</p>\r\n
<p data-start="649" data-end="801">To enhance the grain or flame of the guitar top, apply a <strong data-start="706" data-end="719">black dye</strong> with a rag or spray gun, then sand it back to leave only the grain highlighted.</p>\r\n
<p data-start="803" data-end="907">The <strong data-start="807" data-end="827">translucent blue</strong> finish will reveal the darkened grain or flame, achieving the desired effect.</p>\r\n
<p data-start="909" data-end="1017">The key is to apply <strong data-start="929" data-end="961">thin layers of tinted finish</strong>, gradually building up to the desired tone and depth.</p>\r\n
<p></p>\r\n
<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n
<h2 class="MsoNormal"><strong>Features</strong></h2>\r\n
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<li><strong>Format</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Translucid Blue</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n
<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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-label : "Price, low to high "
}
4 => PrestaShop\PrestaShop\Core\Product\Search \ SortOrder#2329
-entity : "product "
-field : "price "
-direction : "desc "
-label : "Price, high to low "
}
]
-currentSortOrder : null
}
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