Description: NitorAquastain are applied manually in a very simple way, with a small sponge or wrist pad.
These stains bring out the color between the hard and soft parts of the guitar wood, showing the natural shape of the wood and the pore in woods such as ash.
If you have a Flamed and Quilted effect wood, you will obtain an impressive 3D effect.
In addition to these stains, you can finish your guitar with any of the Nitorlackproducts, with water-based finishes such as nitrocellulose or polyurethane.
STAIN APPLICATION PROCESS
Before starting, we recommend you to do a small test of the chosen color on a sample wood as close as possible to the guitar.
With a small sponge, make the necessary tests before applying it on the guitar, checking the intensity of the color and the necessary layers to achieve the desired effect. It can be diluted with water to obtain the final color with more layers.
When the color is chosen, it is time to apply it directly on your guitar.
STEPS TO FOLLOW:
Prepare the guitar with P240 sandpaper until the surface is smooth.
Humidify the surface of the guitar with water and let it dry to remove the strand.
Sand with P400 sandpaper to remove the strand and leave the guitar ready to apply.
Cover with masking tape the surfaces that we do not want to tint or avoid staining.
Shake the can well before loading the sponge or the sponge (VERY IMPORTANT).
In a small piece of sponge put 4 or 5 drops of stain and apply directly on the guitar. Spread it well making longitudinal movements all over the guitar until the stain is perfectly distributed.
Work in sections, for example, start from the lowest side and work upwards. Apply from the center of the section towards the outside to avoid spilling over the sides.
If we want more color intensity we can apply another coat of stain, sanding lightly with P400 beforehand.
13509
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<h2>NITORLACK NITORAQUA STAIN WHITE</h2>\r\n<ul><li><strong>Quantity: </strong>250 ml</li>\r\n<li><strong>Colour: </strong>White</li>\r\n<li><strong>Description: </strong><b>NitorAqua</b> <strong>stain</strong> are applied manually in a very simple way, with a small sponge or wrist pad. </li>\r\n</ul><p>These stains bring out the color between the hard and soft parts of the guitar wood, showing <strong>the natural shape of the wood</strong> and the pore in woods such as ash. </p>\r\n<p>If you have a Flamed and Quilted effect wood, you will obtain an impressive 3D effect.</p>\r\n<p>In addition to these stains, you can finish your guitar with any of the <strong>Nitorlack</strong> <strong>products</strong>, with water-based finishes such as <strong>nitrocellulose or polyurethane</strong>.</p>\r\n<h2><br />STAIN APPLICATION PROCESS</h2>\r\n<p>Before starting, we recommend you to do a <strong>small test of the chosen color</strong> on a sample wood as close as possible to the guitar.</p>\r\n<p></p>\r\n<p>With a <strong>small sponge</strong>, make the necessary tests before applying it on the guitar, checking the <strong>intensity of the color and the necessary layers</strong> to achieve the desired effect. It can be diluted with water to obtain the final color with more layers.</p>\r\n<p></p>\r\n<p>When the color is chosen, it is time to apply it directly on your <strong>guitar</strong>.</p>\r\n<p><iframe width="560" height="315" src="https://www.youtube.com/embed/GY7flSiJyK8" title="YouTube video player" frameborder="0"></iframe></p>\r\n<p></p>\r\n<h3>STEPS TO FOLLOW:</h3>\r\n<ul><li>Prepare the guitar with <strong>P240 sandpaper</strong> until the surface is smooth.</li>\r\n<li><strong>Humidify the surface of the guitar with water</strong> and let it dry to remove the strand.</li>\r\n<li><strong>Sand with P400 sandpaper</strong> to remove the strand and leave the guitar ready to apply.</li>\r\n<li>Cover with masking tape the surfaces that we do not want to tint or avoid staining.</li>\r\n<li><strong>Shake the can</strong> well before loading the sponge or the sponge (VERY IMPORTANT).</li>\r\n<li>In a small piece of sponge put <strong>4 or 5 drops of stain</strong> and apply directly on the guitar. Spread it well making longitudinal movements all over the guitar until the stain is perfectly distributed.</li>\r\n<li><strong>Work in sections</strong>, for example, start from the lowest side and work upwards. Apply from the center of the section towards the outside to avoid spilling over the sides.</li>\r\n<li>If we want <strong>more color intensity</strong> we can apply another coat of stain, sanding lightly with P400 beforehand.</li>\r\n</ul>
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<h2><strong>Overview Nitorlack® Ice Blue Metallic Nitrocellulose Lacquer Spray</strong></h2>\r\n<p data-start="543" data-end="745">The <strong data-start="547" data-end="575">Fender Ice Blue Metallic</strong> color is a rare find in Fender’s history, mainly used on <strong data-start="633" data-end="647">Telecaster</strong> and <strong data-start="652" data-end="666">Jazzmaster</strong> guitars in the mid-60s, with some <strong data-start="701" data-end="717">Stratocaster</strong> models also featuring it.</p>\r\n<p data-start="747" data-end="868">It is an icy blue shade that, over time, shifts to a greenish hue due to the natural yellowing of aging nitrocellulose.</p>\r\n<p data-start="870" data-end="900">A unique and striking color.</p>\r\n<p></p>\r\n<p>Over the last decade, <strong>Nitorlack</strong> has become one of the<strong> leaders in nitrocellulose lacquers</strong>, accurately replicating most of the exclusive colors of the major guitar brands. <strong>Nitorlack</strong> products are used by countless builders around the world, both professionals and amateurs.</p>\r\n<h2 class="MsoNormal"><strong>Features</strong></h2>\r\n<ul>\r\n<li><strong>Quantity</strong>: 400ml.</li>\r\n<li><strong>Format</strong>: Spray</li>\r\n<li><strong>Color</strong>: Ice Blue Metallic</li>\r\n</ul>\r\n<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Instructions for use</a></p>\r\n<p><strong><span style="color: #71a32f;">Flammable product. Airfreight shipment is not allowed. Only for orders shipped by road.</span></strong></p>
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<h2><strong>Pigments and Resins Assortment for Luthiers</strong></h2>\r\n<p>This exclusive set includes <strong>22 pigments, 4 resins, and 1 cold-pressed linseed oil</strong>, all supplied in individual jars and presented in a wooden case. Designed especially for <strong>violin making and restoration</strong>, it provides the essential materials for preparing traditional varnishes on wood.</p>\r\n<p>The selected pigments cover a wide chromatic range, from historic tones like <strong>Gubbio Red</strong> or <strong>Dragon’s Blood</strong> to modern colors such as <strong>Phthalo Blue</strong> and <strong>Cobalt Yellow</strong>. Alongside, the set contains classic lutherie resins like <strong>mastic, sandarac, stick-lac</strong>, and <strong>very light bleached shellac</strong>, completed with <strong>cold-pressed linseed oil</strong>.</p>\r\n<p>An assortment created for luthiers and restorers seeking <strong>historical fidelity, chromatic richness, and authenticity</strong> in their varnish preparations.</p>\r\n<h2><strong>Technical Specifications</strong></h2>\r\n<ul>\r\n<li><strong>Product type:</strong> Assortment of pigments, resins, and oil for varnishes</li>\r\n<li><strong>Content:</strong> 27 jars (22 pigments, 4 resins, 1 linseed oil)</li>\r\n<li><strong>Presentation:</strong> Wooden case</li>\r\n<li><strong>Uses in lutherie:</strong> Violin varnish making and restoration</li>\r\n</ul>\r\n<h2><strong>Assortment Contents</strong></h2>\r\n<h2><strong>Pigments (22)</strong></h2>\r\n<div style="display: flex; gap: 40px;">\r\n<ul>\r\n<li>Phthalo Blue, Primary (PB 15:1)</li>\r\n<li>Indian Yellow Imitation</li>\r\n<li>Gubbio Red</li>\r\n<li>Mahogany Brown</li>\r\n<li>Maroon</li>\r\n<li>Alizarine Crimson Dark</li>\r\n<li>Isoindole Yellow-Orange (PY 139)</li>\r\n<li>Lake made of Reseda and Buckhorn Berries</li>\r\n<li>Dragon’s Blood (powder)</li>\r\n<li>Gamboge (powder)</li>\r\n<li>Madder Lake Coral</li>\r\n</ul>\r\n<ul>\r\n<li>Madder Lake from Roots, Bordeaux Red</li>\r\n<li>Raw Sienna Badia (Italian)</li>\r\n<li>Dark Burnt Sienna</li>\r\n<li>Van Dyck Brown</li>\r\n<li>Carmine Naccarat</li>\r\n<li>Hokkaido-Orange (RTZ)</li>\r\n<li>Cobalt Yellow</li>\r\n<li>Intensive Yellow</li>\r\n<li>Translucent Yellow</li>\r\n<li>Translucent Orange-Red</li>\r\n<li>Translucent Red Medium</li>\r\n</ul>\r\n</div>\r\n<h2><strong>Resins (4)</strong></h2>\r\n<ul>\r\n<li>Mastic</li>\r\n<li>Sandarac</li>\r\n<li>Stick-Lac</li>\r\n<li>Very light bleached shellac</li>\r\n</ul>\r\n<h2><strong>Oil (1)</strong></h2>\r\n<ul>\r\n<li>Cold-pressed linseed oil</li>\r\n</ul>
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