Descripción del Juego de Cuerdas La Bella 2001 Flamenco Hard
Las cuerdas Flamenco 2001 Hard Tension, la mejor elección de los flamencos modernos, están diseñadas para las extraordinarias guitarras actuales y la excepcional técnica de los concertistas contemporáneos. La mayoría de los juegos más pesados producen un sonido sordo. Estas cuerdas de tensión dura son la excepción y crean un tono brillante y contundente con un verdadero ataque flamenco. Esta construcción especial mantiene los calibres tradicionales de las cuerdas y dura más que cualquier otra cuerda de alta tensión del mercado.
Estas cuerdas se han desarrollado en colaboración con los principales guitarristas flamencos. Todos los diseños han sido probados y refinados durante más de dos años en recitales, estudios de grabación y actuaciones en tablados.
Las cuerdas agudas de nylon negro poseen una mayor potencia, brillo y una vida útil más larga que cualquier otro diseño de cuerdas del mercado. Los bordones plateados tienen una memoria excepcional para la afinación y una producción de sonido consistente.
Se empaquetan con tecnología MAP (Modified Atmosphere Packaging) para evitar el oxido y garantizar su frescura.
Los hermanos Emilio y Olinto Mari abandonaron el negocio familiar para buscar nuevas oportunidades en América. Fabricaban cuerdas de tripa y de acero en el pequeño apartamento que tenían en el Bajo Manhattan. A medida que la noticia se fue difundiendo entre los músicos de la zona, también lo hizo la popularidad de su producto. Una tienda de música local se aficionó a las cuerdas artesanales de alta calidad que fabricaban los dos hermanos y les hizo una oferta para ayudarles a expandirse. Los hermanos Emilio y Olinto Mari se trasladaron a Nueva York y rápidamente se dieron a conocer por sus cuerdas artesanales de alta calidad. Las cuerdas se fabrican bajo las marcas La Preferita, Sweetone, Criterion y New-Tone. La primera fábrica se abrió en 1914, en el número 170 de la Quinta Avenida.
Hoy en día, el grupo E. & O. Mari/La Bella sigue siendo una empresa familiar que fabrica las cuerdas de mejor calidad del mundo. La Bella es uno de los fabricantes de cuerdas más reputados de Estados Unidos y distribuye alrededor de 2000 modelos diferentes de cuerdas en todo el mundo para todo tipo de instrumentos. Las fabrica con las tecnologías más novedosas para ofrecer unas cuerdas con las máximas garantías y fiabilidad.
Características
Instrumento: Guitarra Flamenca
Calibres: Agudos de nylon negro: 0,029 0,0335 0,041/Bordones con entorchado plateado: .029 .0365 .0445
Entorchado: Plateado
Fabricado en Estados Unidos
15516
13 Artículos
Ficha técnica
Tipo de Accesorio: Cuerdas
Tensión: Alta
Opiniones
Sin opiniones por el momento
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful 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<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>\r\n <w:LsdException Locked="false" Priority="71" 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<h2 class="MsoNormal">Descripción general del Set 6 Trastes SINTOMS Alpaca 2,3mm ancho 0,7 mm alto extra duro:</h2>\r\n<p><strong>El </strong><b>Set 6 Trastes SINTOMS Alpaca 2,3mm ancho 0,7 mm alto extra duro </b>está fabricado por uno de los principales fabricantes de trastes del mundo. Estos trastes son de alpaca, también conocida como plata alemana, una aleación compuesta por zinc, cobre y níquel. <strong>Con un 18% de níquel, estos trastes de SINTOMS son extra duros, lo que significa que ofrecen una mayor durabilidad y resistencia a la corrosión.</strong></p>\r\n<p>El set de trastes SINTOMS incluye seis trastes con medida de 2,3mm ancho 0,7 mm alto extra duro, perfectos para aquellos que buscan un sonido preciso y duradero en su instrumento.</p>\r\n<h2 class="MsoNormal">¿Qué debo tener en cuenta a la hora de elegir un tamaño de trastes?</h2>\r\n<p>Los trastes son una parte fundamental del instrumento y están en constante contacto con los dedos del músico. Por esto que<strong> su elección tendrá un papel muy importante en la construcción del instrumento.</strong></p>\r\n<p>En lo que respecta a la facilidad de ejecución, debemos tener en cuenta dos factores: l<strong>a altura y la anchura de los trastes.</strong></p>\r\n<p>La <strong>altura de los trastes se refiere a la distancia entre el diapasón y la parte superior del traste.</strong> Con trastes más altos hay menos contacto entre los dedos y el diapasón. De esta forma se necesita menos presión para que suenen las notas. Esto facilita técnicas como el bending y el tapping.</p>\r\n<p>Por otro lado, <strong>la anchura de los trastes se refiere al ancho de la parte superior de los trastes.</strong> Con trastes más anchos el ángulo entre el diapasón y la parte superior de la corona del traste es menor. Esto facilita el deslizamiento sobre el diapasón. Esto contribuye a una sensación más suave al tocar cuando se utilizan trastes más anchos. <strong>Y esto, a su vez, facilita doblar las cuerdas.</strong></p>\r\n<h2 class="MsoNormal">Herramientas para trastes:</h2>\r\n<p>En Maderas Barber podrás encontrar una <strong>amplia variedad de herramientas</strong> para ayudarte en la instalación de los trastes. Entre estas herramientas se incluyen las <a href="https://maderasbarber.com/tonewood/es/limas-japonesas-trastes/2874-lima-para-trastes-estrechos-uo-chikyu-1r.html">limas para recoronar trastes</a>, <a href="https://maderasbarber.com/tonewood/es/trastes/6923-disco-cortador-sintoms-ranura-trastes-043mm.html">discos cortadores</a> para crear las ranuras en el diapasón, <a href="https://maderasbarber.com/tonewood/es/summit/1841-cortador-de-traste-con-martillo.html">cortadores de trastes</a> y <a href="https://maderasbarber.com/tonewood/es/summit/1972-dispositivo-de-presion-multitarea-para-luthiers.html">dispositivos de presión para luthiers</a>. También ofrecemos <a href="https://maderasbarber.com/tonewood/es/pulimentos-y-tapa-poros/6461-kit-reparador-y-pulimento-para-trastes-.html">kits de reparación</a> y productos para pulir y <a href="https://maderasbarber.com/tonewood/es/abrasivos-y-pulimentos/6453-pulimento-y-limpiador-para-trastes-.html">limpiar trastes</a>.</p>\r\n<p>Además,<strong> nuestros expertos están disponibles para asesorarte en la selección de las herramientas y trastes adecuados para tu instrumento.</strong></p>\r\n<h2>Características:</h2>\r\n<ul>\r\n<li><strong>Cantidad: </strong>Set de 6 unidades</li>\r\n<li><strong>Tamaño: </strong>Medium 2,3mm ancho 0,7mm alto 260 mm largo</li>\r\n<li><strong>Material: </strong>Alpaca composición Níquel 18%</li>\r\n</ul>
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<h2><strong>Descripción del Puente para Guitarra Oro Hipshot BabyGrand </strong></h2>\r\n<p>El <strong>Hipshot BabyGrand</strong> es el puente ideal, diseñado para sustituir <strong>puentes estilo "wraparound"</strong>. Su forma única aumenta la longitud de las cuerdas graves manteniendo cortas las agudas. Esta característica proporciona una tensión uniforme de cuerda a cuerda. Mecanizado a partir de una <strong>pieza sólida de aluminio de calidad aeronáutica</strong>, el chasis es muy ligero, extremadamente fuerte y tiene una vivacidad de tono que los puentes de fundición no pueden igualar. Además, su excepcional diseño de <strong>selleta de acero inoxidable</strong> transmite más energía de la cuerda al chasis del puente. El resultado es una gran mejora en el toque de la guitarra, en el tono y en su capacidad de respuesta.</p>\r\n<p>El puente <strong>se presenta con sus propios encastres</strong> para el cuerpo de la guitarra, y los tornillos de anclaje. Cada tornillo de anclaje viene con una arandela de nylon que evita que el cromado del puente se estropee, y se puede bloquear para que el puente no caiga al quitar las cuerdas. También están <strong>incluidas las correspondientes llaves allen</strong> para ajustar la altura y la inclinación del puente, respectivamente. Además,<strong> cada selleta se puede ajustar individualmente</strong> con un destornillador de cabeza Phillips.</p>\r\n<h2><strong>Características</strong></h2>\r\n<ul style="list-style-type: disc;">\r\n<li><strong>Material Chasis:</strong> Aluminio Ligero</li>\r\n<li><strong>Material Selletas:</strong> Acero Inoxidable</li>\r\n<li><strong>Radio Selletas:</strong> 12"</li>\r\n<li><strong>Color:</strong> Oro</li>\r\n<li><strong>Incluye Anclajes y Llaves Allen de Ajuste</strong></li>\r\n</ul>
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