Descripción General de Making Poor Man's Guitars: Cigar Box Guitars and Other DIY Instruments
Se han escrito muchos libros sobre cómo construir guitarras de caja de cigarros y otros instrumentos únicos hechos a mano... pero pocos han explicado por qué. Este libro presenta las historias auténticas de la música DIY estadounidense con proyectos paso a paso, estudios fotográficos de instrumentos antiguos, entrevistas con leyendas de la música y relatos históricos. Shane Speal, el “Rey de la guitarra Cigar Box”, devuelve la creación de música e instrumentos musicales a sus raíces. Desde una simple guitarra de lata de dos cuerdas hasta un bajo eléctrico, Shane muestra cómo cualquiera puede construir increíbles instrumentos musicales a partir de elementos encontrados. Las barras laterales presentan la fascinante historia de fondo de la música, capturando la lucha, la pobreza y el blues dentro del lado artístico de la construcción de guitarras con caja de puros. Con una introducción del Museo de Jazz de Nueva Orleans, este libro sobre instrumentos musicales de bricolaje es tan inspirador para leer en la sala de estar como en el taller.
Características:
Fecha de publicación:2018
Encuadernación: Tapa Blanda
ISBN: 978-1-56523-946-3
Editorial:Fox Chapel Publishing
Tamaño: 255 x 202 x 12 mm
Páginas:176
Idioma: inglés
14162
2 Artículos
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Name="List Number"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List 2"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List 3"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List 4"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List 5"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List Bullet 2"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List Bullet 3"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List Bullet 4"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List Bullet 5"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List Number 2"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="List 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SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Definition"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Keyboard"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Preformatted"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Sample"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Typewriter"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="HTML Variable"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Normal Table"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="annotation subject"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="No List"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Outline List 1"/>\r\n 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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 3"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 4"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 5"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 6"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 7"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table Grid 8"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table List 1"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table List 2"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table List 3"/>\r\n <w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n Name="Table List 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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful 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<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>\r\n <w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>\r\n <w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>\r\n <w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>\r\n <w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>\r\n <w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>\r\n <w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>\r\n <w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 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Ranuras para cuerdas pretalladas.</li>\r\n</ul>
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<h2><strong>Trastes Hosco Alpaca Small Standard Set de 24</strong></h2>\r\n<p>El modelo <strong>HF-S2-P24</strong> de <strong>Hosco</strong> está fabricado en Japón en <strong>Alpaca 18 %</strong> (Nickel-Silver), una aleación de dureza HV200 reconocida por su equilibrio entre durabilidad, tacto cómodo y resistencia a la corrosión. Cada traste viene precortado a 70 mm y curvado con un radio de 12".</p>\r\n<p>Este set se identifica con el perfil Small Standard, ideal para guitarras con acción baja o para quienes prefieren una sensación de trasteo más discreta y precisa. La corona mide 1,1 mm de alto y 2,0 mm de ancho. No lleva espiga pre-cortada, lo que permite un ajuste más personalizado según el tipo de diapasón.</p>\r\n<p>Incluye 24 piezas, suficientes para un diapasón completo con margen. Se recomienda especialmente como repuesto compatible con guitarras <strong>Yamaha®</strong>.</p>\r\n<h2><strong>Características Técnicas</strong></h2>\r\n<ul>\r\n<li><strong>Material:</strong> Alpaca 18 % (Nickel-Silver)</li>\r\n<li><strong>Dureza:</strong> HV200</li>\r\n<li><strong>Perfil:</strong> Small Standard</li>\r\n<li><strong>Altura del traste:</strong> 1,1 mm</li>\r\n<li><strong>Anchura de la corona:</strong> 2,0 mm</li>\r\n<li><strong>Radio:</strong> 12"</li>\r\n<li><strong>Longitud por pieza:</strong> 70 mm</li>\r\n<li><strong>Formato:</strong> Set de 24 trastes precortados</li>\r\n<li><strong>Calidad:</strong> Fabricación japonesa</li>\r\n</ul>
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<h2>Descripción del Juego de Cuerdas La Bella 710L Guitarra Acústica Silk & Steel</h2>\r\n<p>Los juegos de <strong>cuerdas Silk & Steel</strong> de La Bella están fabricados con <strong>alambre de cobre plateado, enrollado a mano sobre una capa intermedia de filamento de seda italiana y un núcleo interior de acero.</strong> Preferidas por los guitarristas de<strong> fingerstyle</strong> por su <strong>tacto suave y tono dulce</strong>, estas cuerdas tienen <strong>menos tensión que las cuerdas estándar de acero, bronce o latón.</strong><br /><br /><strong>Envasado con tecnología MAP (Modified Atmosphere Packaging) para evitar el óxido y garantizar la frescura.</strong></p>\r\n<p>Los hermanos Emilio y Olinto Mari abandonaron el negocio familiar para buscar nuevas oportunidades en América. Fabricaban cuerdas de tripa y de acero en el pequeño apartamento que tenían en el Bajo Manhattan. A medida que la noticia se fue difundiendo entre los músicos de la zona, también lo hizo la popularidad de su producto. Una tienda de música local se aficionó a las cuerdas artesanales de alta calidad que fabricaban los dos hermanos y les hizo una oferta para ayudarles a expandirse. Los hermanos Emilio y Olinto Mari se trasladaron a Nueva York y rápidamente se dieron a conocer por sus cuerdas artesanales de alta calidad. Las cuerdas se fabrican bajo las marcas La Preferita, Sweetone, Criterion y New-Tone. La primera fábrica se abrió en 1914, en el número 170 de la Quinta Avenida.<br /><br />Hoy en día, el grupo E. & O. Mari/La Bella sigue siendo una empresa familiar que fabrica las <strong>cuerdas de mejor calidad del mundo</strong>. La Bella es uno de los fabricantes de cuerdas más reputados de Estados Unidos y distribuye alrededor de 2000 modelos diferentes de cuerdas en todo el mundo para todo tipo de instrumentos. Las fabrica con las tecnologías más novedosas para ofrecer unas cuerdas con las <strong>máximas garantías y fiabilidad</strong>.</p>\r\n<h2><strong>Características</strong></h2>\r\n<ul style="list-style-type: disc;">\r\n<li><strong>Instrumento: </strong>Guitarra Acústica<strong><br /></strong></li>\r\n<li><strong>Calibres: </strong>.011, .014, .023W, .031, .041, .051</li>\r\n<li><strong>Entorchado: </strong>Cobre Plateado</li>\r\n<li><strong>Núcleo:</strong> Seda y Acero</li>\r\n<li><strong>Fabricado en Estados Unidos</strong></li>\r\n</ul>\r\n<p></p>\r\n<p></p>
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<h2>Descripción General Trastes Dunlop 6100 Pack de 24:</h2>\r\n<p>Los trastes <strong>6100</strong> de Dunlop se encuentran entre los más vendidos de la marca. Concretamente, esta presentación de 24 trastes precortados es además perfecta si simplemente quieres retrastear una única guitarra. Dunlop es, desde hace décadas,<strong> la empresa más reconocida en la fabricación de trastes</strong>. Marcas como <strong>Fender</strong>, <strong>Gibson </strong>o <strong>PRS</strong> emplean en sus modelos trastes Dunlop y otra multitud de luthieres los usan tanto en construcción como en reparación. Fabricados en alpaca con un contenido en níquel del 18% para una mayor dureza, los trastes Dunlop son una opción habitual y están presentes en los talleres y fábricas de guitarras de todo el mundo.</p>\r\n<h2 class="MsoNormal">¿Cómo elijo el traste más adecuado?</h2>\r\n<p>Esta es una <strong>decisión fundamental</strong> a la hora de construir o reparar una guitarra, sin duda. Los criterios básicos a la hora de elegir un traste <strong>deben tener en cuenta su forma</strong> (en la parte que asoma del diapasón, o corona) <strong>y el material</strong> del que estén hechos. El ancho y alto de la corona del traste tienen una influencia decisiva en la sensación del intérprete al tocar. Por supuesto, cada persona tiene sus propias preferencias pero podemos enumerar una serie de características que son innegables. Cuanto más bajos los trastes, más cómoda es la sensación al hacer acordes. Esto se debe a que hay que realizar menos esfuerzo para apretar las cuerdas. Inversamente, los trastes altos ayudan a la hora de ejecutar técnicas como los<em> bendings</em> y tienen una vida útil más larga, pues hay más material para efectuar sucesivos rectificados de trastes. En cuanto al ancho, cuanto mayor sea este más confortable resultará el contacto con el mástil, pero también exigirá un trabajo más preciso a la hora de recoronarlos para evitar problemas de entonación.</p>\r\n<p>Si hablamos de material, tradicionalmente se ha empleado la <strong>alpaca</strong>. Esta es una aleación compuesta de zinc, cobre y niquel que posee el equilibrio ideal entre dureza, resistencia a la abrasión y ductilidad. Podemos encontrar distintas formulaciones con una presencia de <strong>zinc que oscila entre el 12% y el 18%</strong>. Cuanto mayor sea este porcentaje mayor será la dureza del traste. En los últimos años han aparecido trastes de otros materiales como <strong>bronce</strong> o <strong>acero inoxidable</strong> que aportan nuevas posibilidades. En este último caso ten en cuenta, que debido a su dureza, necesitarás <strong>herramientas especiales</strong> para trabajarlo.</p>\r\n<p>Para más información <a href="https://maderasbarber.com/tonewood/img/cms/DUNLOP_FRET_WIRE_CHART.pdf"><strong>en este enlace</strong></a> puedes encontrar la tabla con las medidas de todos los trastes que Dunlop tiene en catálogo.</p>\r\n<h2 class="MsoNormal">Características:</h2>\r\n<ul>\r\n<li><strong>Material: </strong>Alpaca (18% níquel)<strong><br /></strong></li>\r\n<li><strong>Medidas en milímetros: A </strong>3.180<strong> B </strong>2.790<strong> C </strong>0.810<strong> D </strong>0.530<strong> E </strong>1.4<strong><br /></strong></li>\r\n<li><strong>Set de 24 piezas precortadas</strong></li>\r\n</ul>
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