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Surtido de Pigmentos y Resinas para Luthier

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        <p data-start="30" data-end="198">Color <strong data-start="36" data-end="55">Heritage Cherry Red</strong>, ampliamente utilizado por <strong data-start="83" data-end="93">Gibson</strong> en la <strong data-start="100" data-end="113">Gibson SG</strong> y en el icónico <strong data-start="130" data-end="139">burst</strong> del acabado <strong data-start="152" data-end="180">Les Paul Heritage Cherry</strong> de los años 50.</p>\r\n
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        <p>Acabado clásico <strong data-start="46" data-end="68">Fender Hot Rod Red</strong>. Este color es entre un <strong data-start="96" data-end="123">10 % y 15 % más intenso</strong> que el <strong data-start="131" data-end="145">Torino Red</strong>. Aporta <strong data-start="157" data-end="169">carácter</strong> y una gran <strong data-start="181" data-end="196">profundidad</strong> al acabado de la guitarra.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
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        <p data-start="124" data-end="354"><strong data-start="124" data-end="134">Fender</strong> introdujo el color <strong data-start="154" data-end="173">Candy Tangerine</strong> en sus guitarras a partir de 2002. Muy utilizado por <strong data-start="227" data-end="249">Fender Custom Shop</strong> en trabajos <strong data-start="262" data-end="271">Relic</strong>, está inspirado en los colores <strong data-start="303" data-end="312">Candy</strong> de los coches <strong data-start="327" data-end="338">Hot Rod</strong> y <strong data-start="341" data-end="351">Custom</strong>.</p>\r\n
        <p data-start="356" data-end="459">Los colores <strong data-start="368" data-end="377">Candy</strong> en <strong data-start="381" data-end="391">Fender</strong> fueron desarrollados desde mediados hasta finales de los años 50.</p>\r\n
        <p data-start="461" data-end="735">El <strong data-start="464" data-end="483">Candy Tangerine</strong> es un <strong data-start="490" data-end="513">naranja translúcido</strong> diseñado para un proceso <strong data-start="539" data-end="549">bicapa</strong>. Requiere la aplicación de una base <strong data-start="586" data-end="600">metalizada</strong> antes del color. Esta base suele ser en tono <strong data-start="646" data-end="663">oro (GoldTop)</strong>, aunque también puede usarse <strong data-start="693" data-end="732">plata (Inca Silver o Silversparkle)</strong>.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
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        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Candy Tangerine</li>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <h2><strong>Descripción General Laca Nitrocelulosa Nitorlack® Sherwood Green Spray <br /></strong></h2>\r\n
        <p data-start="30" data-end="83">Acabado clásico <strong>Sherwood Green</strong><strong data-start="46" data-end="80"> Fender Metallic</strong>. Color <strong data-start="91" data-end="121">sólido pigmentado metálico</strong>, inspirado en los <strong data-start="140" data-end="175">Lincoln de 1957 (Vermont Green)</strong>. Utilizado entre <strong data-start="196" data-end="211">1960 y 1965</strong>, no fue un acabado común en <strong data-start="240" data-end="250">Fender</strong>, lo que lo convierte en un color muy buscado por coleccionistas.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack.</strong></p>\r\n
        <h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Sherwood Green</li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <h2><strong>Descripción General Laca Nitrocelulosa Nitorlack® Trans Red Spray <br /></strong></h2>\r\n
        <p data-start="30" data-end="69">Acabado clásico <strong>Trans Red</strong><strong data-start="46" data-end="66"> Gibson</strong>. Color de aspecto <strong data-start="88" data-end="103">translúcido</strong>, que permite apreciar la veta de la madera.</p>\r\n
        <p data-start="151" data-end="295">Para resaltar aún más el dibujo de la veta, se puede aplicar un <strong data-start="215" data-end="237">grain filler negro</strong> o <strong data-start="240" data-end="255">tinte negro</strong>, ambos disponibles en nuestra tienda.</p>\r\n
        <p data-start="297" data-end="423">El secreto está en la aplicación de <strong data-start="333" data-end="368">capas finas de acabado entonado</strong>, hasta lograr la tonalidad y concentración deseadas.</p>\r\n
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        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p>Este set exclusivo reúne <strong>22 pigmentos, 4 resinas y 1 aceite de linaza prensado en frío</strong>, cuidadosamente presentados en frascos individuales dentro de una caja de madera. Concebido especialmente para la <strong>fabricación y restauración de violines</strong>, proporciona los materiales esenciales para la preparación de barnices tradicionales sobre madera.</p>\r\n
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                                            <p class="product_name"><strong>Surtido de Pigmentos y Resinas para Luthier</strong></p>\n
                                            <h2><strong>Surtido de Pigmentos y Resinas para Luthier</strong></h2>\r\n
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        <p></p>\r\n
        <h2>TINTE AL AGUA NITORAQUA ROJO ESCARLATA</h2>\r\n
        <ul><li><strong>Cantidad: </strong>250 ml</li>\r\n
        <li><strong>Color: </strong>Rojo escarlata</li>\r\n
        <li><strong>Descripción: </strong>Los <strong>tintes al agua NitorAqua</strong> se aplican manualmente de forma muy sencilla, con una pequeña esponja o muñequilla.<br /><p>Estos tintes base de agua consiguen resaltar el color entre las partes duras y blandas de la madera de la guitarra, destacando la <strong>forma natural de la madera</strong> y el poro en maderas como el fresno. </p>\r\n
        <p>Si tienes una madera con efecto Flamed and Quilted, te quedará un efecto 3D impresionante.</p>\r\n
        <p>Además de estos tintes, puedes terminar tu guitarra con cualquiera de los <strong>productos de</strong> <strong>Nitorlack</strong>, con acabados al agua como <strong>nitrocelulosa o poliuretano.<br /><br /></strong></p>\r\n
        </li>\r\n
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        <h2>PROCESO APLICACIÓN DEL TINTE</h2>\r\n
        <p>Antes de empezar, te recomendamos hacer una <strong>pequeña prueba del color</strong> elegido en una madera de testigo lo más parecida posible a la guitarra.</p>\r\n
        <p>Con una <strong>pequeña esponja</strong>, realiza las pruebas necesarias antes de aplicarlo en la guitarra, comprobando la <strong>intensidad del color y las capas</strong> necesarias para conseguir el efecto deseado. Se puede diluir en agua para conseguir el color final con más capas.</p>\r\n
        <p>Una vez elegido el color, es el momento de aplicarlo directamente en tu <strong>guitarra</strong>.</p>\r\n
        <p><iframe width="560" height="315" src="https://www.youtube.com/embed/IVvPXL47a4o" title="YouTube video player" frameborder="0"></iframe></p>\r\n
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        <h3>PASOS A SEGUIR:</h3>\r\n
        <ul><li>Preparamos la guitarra con <strong>lija de P240</strong> hasta dejar la superficie lisa.</li>\r\n
        <li><strong>Humedecemos la superficie de la guitarra con agua</strong> y dejamos secar para sacar el repelo.</li>\r\n
        <li><strong>Lijamos con P400</strong> para quitar el repelo y dejar la guitarra lista para aplicar.</li>\r\n
        <li>Tapamos con cinta de carrocero las superficies que no queremos tintar o evitar que se manchen.</li>\r\n
        <li><strong>Agitar bien el bote</strong> antes de cargar la esponja o la muñequilla(IMPORTANTE).</li>\r\n
        <li>En un pequeño trozo de esponja ponemos <strong>4 o 5 gotas de tinte</strong> y aplicamos directamente en la guitarra. Lo repartimos bien, realizando movimientos longitudinales por toda la guitarra hasta que el tinte quede perfectamente distribuido.</li>\r\n
        <li><strong>Trabaja por secciones</strong>, por ejemplo, empiece por el lado más bajo y trabaje hacia arriba. Aplica desde el centro de la sección hacia el exterior para evitar que se derrame por los lados.</li>\r\n
        <li>Si queremos <strong>más intensidad de color</strong>, podemos aplicar otra capa de tinte lijando suavemente con P400 previamente.</li>\r\n
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        <p></p>\r\n
        <h2>TINTE AL AGUA NITORAQUA MIEL</h2>\r\n
        <ul><li><strong>Cantidad: </strong>250 ml</li>\r\n
        <li><strong>Color: </strong>Miel</li>\r\n
        <li><strong>Descripción: </strong>Los <strong>tintes al agua NitorAqua</strong> se aplican manualmente de forma muy sencilla, con una pequeña esponja o muñequilla.<br /><p>Estos tintes base de agua consiguen resaltar el color entre las partes duras y blandas de la madera de la guitarra, destacando la <strong>forma natural de la madera</strong> y el poro en maderas como el fresno. </p>\r\n
        <p>Si tienes una madera con efecto Flamed and Quilted, te quedará un efecto 3D impresionante.</p>\r\n
        <p>Además de estos tintes, puedes terminar tu guitarra con cualquiera de los <strong>productos de</strong> <strong>Nitorlack</strong>, con acabados al agua como <strong>nitrocelulosa o poliuretano.<br /><br /></strong></p>\r\n
        </li>\r\n
        </ul><p></p>\r\n
        <h2>PROCESO APLICACIÓN DEL TINTE</h2>\r\n
        <p>Antes de empezar, te recomendamos hacer una <strong>pequeña prueba del color</strong> elegido en una madera de testigo lo más parecida posible a la guitarra.</p>\r\n
        <p>Con una <strong>pequeña esponja</strong>, realiza las pruebas necesarias antes de aplicarlo en la guitarra, comprobando la <strong>intensidad del color y las capas</strong> necesarias para conseguir el efecto deseado. Se puede diluir en agua para conseguir el color final con más capas.</p>\r\n
        <p>Una vez elegido el color, es el momento de aplicarlo directamente en tu <strong>guitarra</strong>.</p>\r\n
        <p><iframe width="560" height="315" src="https://www.youtube.com/embed/Eh8d_GUfoa0" title="YouTube video player" frameborder="0"></iframe></p>\r\n
        <p></p>\r\n
        <h3>PASOS A SEGUIR:</h3>\r\n
        <ul><li>Preparamos la guitarra con <strong>lija de P240</strong> hasta dejar la superficie lisa.</li>\r\n
        <li><strong>Humedecemos la superficie de la guitarra con agua</strong> y dejamos secar para sacar el repelo.</li>\r\n
        <li><strong>Lijamos con P400</strong> para quitar el repelo y dejar la guitarra lista para aplicar.</li>\r\n
        <li>Tapamos con cinta de carrocero las superficies que no queremos tintar o evitar que se manchen.</li>\r\n
        <li><strong>Agitar bien el bote</strong> antes de cargar la esponja o la muñequilla(IMPORTANTE).</li>\r\n
        <li>En un pequeño trozo de esponja ponemos <strong>4 o 5 gotas de tinte</strong> y aplicamos directamente en la guitarra. Lo repartimos bien, realizando movimientos longitudinales por toda la guitarra hasta que el tinte quede perfectamente distribuido.</li>\r\n
        <li><strong>Trabaja por secciones</strong>, por ejemplo, empiece por el lado más bajo y trabaje hacia arriba. Aplica desde el centro de la sección hacia el exterior para evitar que se derrame por los lados.</li>\r\n
        <li>Si queremos <strong>más intensidad de color</strong>, podemos aplicar otra capa de tinte lijando suavemente con P400 previamente.</li>\r\n
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        <h2>Laca Nitrocelulosa Nitorlack® TV Yellow Spray</h2>\r\n
        <p>El acabado <strong>TV Yellow</strong> es uno de los más reconocibles de Gibson en los años 50, especialmente ligado a modelos como la <strong>Les Paul Junior (1954)</strong> y la <strong>Les Paul Special (1955)</strong>. Se caracteriza por un tono claro y semitranslúcido, con matices amarillentos que dejan entrever la veta de la caoba.</p>\r\n
        <p>El origen de su nombre admite varias lecturas: para muchos, se eligió porque se veía neutro y sin reflejos en televisores en blanco y negro; otros lo relacionan con el popular “<em>limed mahogany</em>” de los muebles de TV de la época; y también se apunta a la influencia del acabado Blonde de Fender. Probablemente, la realidad combine varios de estos factores.</p>\r\n
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        <h2><strong>Características Técnicas</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad:</strong> 400 ml</li>\r\n
        <li><strong>Formato:</strong> Spray</li>\r\n
        <li><strong>Color:</strong> TV Yellow</li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p data-start="124" data-end="364"><strong data-start="124" data-end="159">Barniz nitrocelulósico entonado</strong>, con un matiz ligeramente más anaranjado que el <strong data-start="208" data-end="225">Amber Vintage</strong>. En las primeras capas ofrece un tono natural, y al aplicar más producto se acerca al acabado de los mástiles <strong data-start="336" data-end="346">Fender</strong> de los años 70.</p>\r\n
        <p data-start="366" data-end="488">El tono se consigue mediante la aplicación de <strong data-start="412" data-end="427">capas finas</strong>, permitiendo ajustar la intensidad según las preferencias.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
        <h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Orange Vintage Gloss</li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
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