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Pack de 9 pinturas Iridiscentes Chestnut (30ml/bote)

Ref: 10637

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43,56 € Ahorre un 7,08 €

50,64 €

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        <li><strong>Cantidad</strong>: 400ml</li>\r\n
        <li><strong>Color</strong>: Amarillo</li>\r\n
        <li><strong>Descripción</strong>: Son <strong>tintes</strong> que se utilizan para el tintado de todo tipo de <strong>instrumentos</strong>. Poseen una elevada transparencia, buen poder de igualación, secado rápido y resistencia a la luz. Son tintes con <strong>gran transparencia</strong> que resaltan la veta y la belleza de la madera. </li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-050-amarillo.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Tinte Concentrado Amarillo</a></p>\r\n
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        <li><strong>Color</strong>: Azul Lago Placido</li>\r\n
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        <p>Es recomendable aplicar un acabado para proteger el color y dar profundidad.</p>\r\n
        </li>\r\n
        </ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <h2><b>KIT 3 TINTES COLORES NITORLACK</b></h2>\r\n
        <ul><li><strong>Kit incluye: </strong>NitoTint <strong>Negro</strong> Spray, NitorTint <strong>Rojo</strong> Spray, NitorTint <strong>Amarillo</strong> Spray, Nitorlack <strong>Primer Spray</strong>(laca)</li>\r\n
        <li><strong>Cantidad</strong>: 400 ml </li>\r\n
        <li><strong>Descripción</strong>: <strong>Tintes</strong> en formato spray que necesitas para pintar tu guitarra en <strong>3 tone sunburst</strong> de forma fácil y sencilla, sin necesidad de tener equipo de pintura. Te explicamos todos los pasos a seguir con tutoriales y videos. También tenemos disponible un <strong>kit de acabado transparente</strong>, con los productos necesarios para realizar el proceso de Primer y Acabado.</li>\r\n
        </ul><p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
        <p><iframe width="560" height="315" src="https://www.youtube.com/embed/X0xxSVJek4E" title="YouTube video player" frameborder="0"></iframe></p>\r\n
        <p></p>\r\n
        <h2>PROCESO APLICACIÓN DEL TINTE<br /><br /></h2>\r\n
        <p><strong>1- PREPARACION DEL SOPORTE</strong></p>\r\n
        <p>Partimos de un cuerpo de guitarra ya fondeado y preparado para aplicar el kit sunburst.</p>\r\n
        <p>Puedes ver todo el proceso de preparación y comprar los productos con este kit</p>\r\n
        <p><strong>2- APLICACIÓN DE TINTE AMARILLO BASE</strong></p>\r\n
        <p>Lijaremos con <strong>grano P800</strong> hasta matizar perfectamente toda la guitarra y con esto conseguiremos una base perfectamente lisa y con agarre para el tinte amarillo.</p>\r\n
        <p>Aplicamos <strong>NitorTint Yellow Spray</strong> uniformemente en las dos caras de la guitarra, cruzando la aplicación para que sea lo más uniforme posible sin ser necesario aplicar los bordes debido a que los vamos a tapar posteriormente</p>\r\n
        <p>Fijamos el tinte con <strong>1 capa fina de NitorLack Primer</strong></p>\r\n
        <p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
        <p><strong>3- APLICACIÓN DE TINTE NEGRO</strong></p>\r\n
        <p>Lijaremos con grano P800 hasta matizar toda la guitarra. Hay que tener cuidado de no llegar hasta el tinte amarillo porque se corre el riesgo de pelarse.</p>\r\n
        <p>Aplicamos <strong>NitorTint Black Spray</strong> por el borde de la guitarra hasta cubrir. Intentar aplicar de dentro hacia afuera para no manchar el centro.</p>\r\n
        <p>Si cae alguna gota de tinte en el centro que queremos retirar, lo haremos ahora lijando con P800 muy suave. Siempre antes de fijar el tinte.</p>\r\n
        <p>Una vez terminado, fijamos el tinte con 1 capa fina de NitorLack Primer</p>\r\n
        <p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
        <p><strong>4- APLICACIÓN DE TINTE ROJO</strong></p>\r\n
        <p>Lijaremos con grano P800 hasta matizar toda la guitarra. Hay que tener cuidado de no llegar hasta el tinte amarillo o negro en los bordes porque se corre el riesgo de pelarse.</p>\r\n
        <p>Aplicamos NitorTint Black Spray entre el negro y el amarillo . Intentar aplicar de dentro hacia afuera para no manchar el centro.</p>\r\n
        <p>Si cae alguna gota de tinte en el centro que queremos retirar, lo haremos ahora lijando con P800 muy suave. Siempre antes de fijar el tinte.</p>\r\n
        <p>Una vez terminado, fijamos el tinte con 1 capa fina de NitorLack Primer</p>\r\n
        <p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
        <p><strong>5- ACABADO FINAL DE LA GUITARRA</strong></p>\r\n
        <p>Puedes ver todo el proceso de acabado y comprar los productos con este kit<br /><br /></p>\r\n
        <p><strong>RECOMENDACIONES GENERALES</strong></p>\r\n
        <p>Agitar enérgicamente los sprays de <strong>3 a 5 minutos </strong>antes de su aplicación. Aplicar en una superficie testigo antes realizarlo en la guitarra.</p>\r\n
        <p>Un acabado SUNBURST con Nitorlack, debe tener un total de<strong> 6 a 10 manos en total</strong>, contando fondo – color – acabado, con un mínimo de 3-4 manos de acabado brillo. Esto dará un <strong>grosor</strong> aproximado de <strong>150 micras (0,15 mm)</strong> dependiendo de cuánto se lije, cuánta laca se aplique en cada mano y qué grosor de acabado se desee.</p>\r\n
        <p>Si no se ha acabado algún instrumento con anterioridad, es recomendable aplicar unas 9 a 12 manos, así se tendrá la seguridad de no lijar o pulir el acabado en exceso, dejando partes con madera “desnuda”. A medida que se adquiera más experiencia con el producto y el método de acabado, serán necesarias menos manos y se podrán lograr acabados más finos.</p>\r\n
        <p>Si al aplicar sucediera que accidentalmente se tuviera un “descuelgue” o “goterón”, hay que dejar secar el acabado 24 horas y nivelar lijando con <strong>lija P400</strong>, preferentemente sobre un taco de material duro. También se puede “cortar” el goterón con una cuchilla de afeitar, que es un método más rápido y con el que se evitan los accidentes que pueden ocasionar un lijado excesivo. Para familiarizarse con el proceso, es conveniente hacer pruebas sobre descartes de madera, a fin de evaluar por sí mismo las características del proceso de acabar una guitarra</p>\r\n
        <p>También es recomendable utilizar una <strong>superficie “testigo”</strong> dónde ir aplicando las capas de laca al mismo tiempo que en la pieza a acabar. Un papel pegado con cinta de carrocero a un soporte rígido (madera, cartón grueso) es una sugerencia. Así, midiendo primero el grosor del papel con un calibre y luego midiendo el grosor resultante de las sucesivas capas una vez secas, se tendrá una idea bastante certera del grosor de la capa que se va aplicando y así poder tener una idea más ajustada del grosor de la misma. Un grosor de 150 a 180 micras (0,15 a 0,18 mm) garantiza un acabado fino, que respeta las vibraciones propias del instrumento, a la vez de protegerlo, evitando grosores excesivos</p>\r\n
        <p>Siempre <strong>aplicar capas finas</strong>. Dejar secar 24 horas y lijar entre capas. Aplicar en manos cruzadas para repartir bien el producto. Aplicar con una distancia aproximada de 15 a 20 cm.<br /><br /></p>\r\n
        <p><strong>RECOMENDACIONES DE SEGURIDAD</strong></p>\r\n
        <p>Aplicar en lugares ventilados o con extracción. Llevar guantes, prendas, gafas y máscara de protección. Lavarse concienzudamente tras la manipulación. En caso de contacto con los ojos: Enjuagar con agua cuidadosamente durante varios minutos. Quitar las lentes de contacto cuando estén presentes y pueda hacerse con facilidad. Proseguir con el lavado. Líquido y vapores muy inflamables. Provoca irritación cutánea. Provoca lesiones oculares graves. Puede provocar somnolencia о vértigo.</p>\r\n
        <p></p>
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        <li><strong>Descripción</strong>: Son tintes concentrados que se utilizan para el tintado de todo tipo de instrumentos. Poseen una elevada transparencia, buen poder de igualación, secado rápido y resistencia a la luz. Son tintes con gran transparencia que resaltan la veta y la belleza de la madera.Se pueden diluir entre si para conseguir el tinte personalizado que necesites.</li>\r\n
        </ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Tinte Concentrado Negro</a></p>\r\n
        <p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/[250710][250710-nitorlackfiestaredspray][11][es-ES].PDF" class="btn btn-default">FICHA DE SEGURIDAD</a></p>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">MODO DE EMPLEO</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">VER FICHA DE SEGURIDAD DE TINTE CONCENTRADO</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
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        </ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-050-amarillo.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Tinte Concentrado Amarillo</a></p>\r\n
        <p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p><span>Nuevo producto revolucionario. Control de color completo y preciso para tus reparaciones y restauraciones. Los aditivos MasterTint hacen que la combinación de colores sea rápida y fácil. Formulado para funcionar perfectamente con todos los productos GluBoost. Los kits tienen todo lo que necesitas para la combinación perfecta para lo que necesites. </span></p>\r\n
        <ul><li><span>A diferencia de los colores genéricos disponibles en el mercado, MasterTint nunca debilitará su enlace polimérico, por lo que tu trabajo seguirá siendo sólido con el tiempo. </span></li>\r\n
        <li><span>Científicamente formulado específicamente para usar con las fórmulas de los productos Cianocrilatos GluBoost </span></li>\r\n
        <li><span>Puedes mezclar y combinar los colores de acuerdo a tus necesidades especificas </span></li>\r\n
        <li><span>Fórmula concentrada de larga duración </span></li>\r\n
        <li><span>Estos colores puros y de alta calidad permiten que se vea el grano natural</span></li>\r\n
        <li><span>Fórmulas fáciles de usar </span></li>\r\n
        <li><span>Se disuelve correctamente, no se necesita solvente</span></li>\r\n
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        <p><span><span>   </span></span><span><br /><span>Todos los kits vienen en envases de almacenamiento, resistentes a la humedad, se envían con tres espátulas y nuestra duradera paleta de mezcla antiadherente a la que el cianocrilato simplemente no se adherirá.</span></span></p>\r\n
        <p><span> </span></p>\r\n
        <p><span>BLACK AND WHITE</span></p>\r\n
        <p><span>Colores – 3 Negro, 1 Blanco</span></p>\r\n
        <p><span>Contenido</span></p>\r\n
        <p><span>Cuatro tonos en recipientes de almacenamiento frescos y resistentes a la humedad (3 negros y 1 blanco), excepcionalmente duradero, una paleta de mezcla antiadherente y 3 espátulas dispensadoras. </span></p>\r\n
        <p>1. Cuenta con la mejor superficie de mezcla antiadherente, fácil de agarrar</p>\r\n
        <p>2. Hecho de la más alta calidad, material súper duradero</p>\r\n
        <p><span> <span>3. Incluye un color de fondo de mezcla correcto por el color</span></span></p>\r\n
        <p><strong><span>Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
        <p><iframe width="350" height="197" src="https://www.youtube.com/embed/BFqqUa35h5U?showinfo=0" frameborder="0"></iframe></p>
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        <h2>Descripción General Tinte Concentrado Naranja Marrón NITORLACK® (Orange Brown 0,25l):</h2>\r\n
        <p>Los tintes concentrados de la serie NitorTint de Nitorlack son tintes empleados en todo tipo de instrumentos. Entre sus cualidades destacan una<strong> elevada transparencia, buen poder de igualación, secado rápido y resistencia al efecto aclarador de la luz solar</strong>. Estos productos realzan la veta y la belleza de la madera.</p>\r\n
        <p>Dilúyelos entre si para conseguir el tinte personalizado que desees. Estos tintes concentrados poseen una doble utilidad. En primer lugar pueden diluirse con un disolvente para aplicar directamente a la madera a muñequilla o pistola aerográfica. Y además <strong>pueden emplearse para dar color al barniz de acabado</strong>. Son tintes universales que se pueden diluir en disolvente, agua o alcohol. En el caso de aplicar a muñequilla se recomienda utilizar agua o un disolvente Nitorlack Retard. El fabricante recomienda diluir en una proporción de entre 3% y un 10% el tinte NitorTINT dependiendo del tipo de aplicación.</p>\r\n
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        <li><strong>Cantidad</strong>: 0,25l</li>\r\n
        <li><strong>Color</strong>: Naranja Marrón</li>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">MODO DE EMPLEO</a></p>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">VER FICHA DE SEGURIDAD DE TINTE CONCENTRADO</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/nitorlack-black-gloss.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Negro Brillo Nitorlack</a></p>\r\n
        <p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <h2><strong>Laca Nitrocelulosa Nitorlack® Teal Green Metallic Spray</strong></h2>\r\n
        <p data-start="117" data-end="366">El nombre original de este color es <strong data-start="153" data-end="161">Teal</strong>, y Fender añadió el sufijo «Green». Su primera aparición fue en 1962 en los automóviles Ford y Lincoln bajo el nombre <strong data-start="280" data-end="310">Riviera Turquoise Metallic</strong>, y en los Ford Thunderbirds como <strong data-start="344" data-end="363">Patrician Green</strong>.</p>\r\n
        <p data-start="368" data-end="485">Es un color muy utilizado en <strong data-start="397" data-end="413">Stratocaster</strong> con golpeador blanco, tanto en diapasones de arce como de palisandro.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
        <h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Teal Green Metallic</li>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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        <p></p>\r\n
        <h2>TINTE AL AGUA NITORAQUA AMARILLO SANTANA</h2>\r\n
        <ul><li><strong>Cantidad: </strong>250 ml</li>\r\n
        <li><strong>Color: </strong>Amarillo Santana</li>\r\n
        <li><strong>Descripción: </strong>Los <strong>tintes al agua NitorAqua</strong> se aplican manualmente de forma muy sencilla, con una pequeña esponja o muñequilla.<br /><p>Estos tintes base de agua consiguen resaltar el color entre las partes duras y blandas de la madera de la guitarra, destacando la <strong>forma natural de la madera</strong> y el poro en maderas como el fresno. </p>\r\n
        <p>Si tienes una madera con efecto Flamed and Quilted, te quedará un efecto 3D impresionante.</p>\r\n
        <p>Además de estos tintes, puedes terminar tu guitarra con cualquiera de los <strong>productos de</strong> <strong>Nitorlack</strong>, con acabados al agua como <strong>nitrocelulosa o poliuretano.<br /><br /></strong></p>\r\n
        </li>\r\n
        </ul><p></p>\r\n
        <h2>PROCESO APLICACIÓN DEL TINTE</h2>\r\n
        <p>Antes de empezar, te recomendamos hacer una <strong>pequeña prueba del color</strong> elegido en una madera de testigo lo más parecida posible a la guitarra.</p>\r\n
        <p>Con una <strong>pequeña esponja</strong>, realiza las pruebas necesarias antes de aplicarlo en la guitarra, comprobando la <strong>intensidad del color y las capas</strong> necesarias para conseguir el efecto deseado. Se puede diluir en agua para conseguir el color final con más capas.</p>\r\n
        <p>Una vez elegido el color, es el momento de aplicarlo directamente en tu <strong>guitarra</strong>.</p>\r\n
        <p><iframe width="560" height="315" src="https://www.youtube.com/embed/pSXaEQox5jE" title="YouTube video player" frameborder="0"></iframe></p>\r\n
        <p></p>\r\n
        <h3>PASOS A SEGUIR:</h3>\r\n
        <ul><li>Preparamos la guitarra con <strong>lija de P240</strong> hasta dejar la superficie lisa.</li>\r\n
        <li><strong>Humedecemos la superficie de la guitarra con agua</strong> y dejamos secar para sacar el repelo.</li>\r\n
        <li><strong>Lijamos con P400</strong> para quitar el repelo y dejar la guitarra lista para aplicar.</li>\r\n
        <li>Tapamos con cinta de carrocero las superficies que no queremos tintar o evitar que se manchen.</li>\r\n
        <li><strong>Agitar bien el bote</strong> antes de cargar la esponja o la muñequilla(IMPORTANTE).</li>\r\n
        <li>En un pequeño trozo de esponja ponemos <strong>4 o 5 gotas de tinte</strong> y aplicamos directamente en la guitarra. Lo repartimos bien, realizando movimientos longitudinales por toda la guitarra hasta que el tinte quede perfectamente distribuido.</li>\r\n
        <li><strong>Trabaja por secciones</strong>, por ejemplo, empiece por el lado más bajo y trabaje hacia arriba. Aplica desde el centro de la sección hacia el exterior para evitar que se derrame por los lados.</li>\r\n
        <li>Si queremos <strong>más intensidad de color</strong>, podemos aplicar otra capa de tinte lijando suavemente con P400 previamente.</li>\r\n
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        <p data-start="30" data-end="66">Acabado <strong>Cherry </strong>sólido, un tono icónico ampliamente utilizado por <strong data-start="135" data-end="145">Gibson</strong>.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
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        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Cherry</li>\r\n
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        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
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        <p data-start="30" data-end="185">El color <strong data-start="39" data-end="53">Aztec Gold</strong> fue incorporado al catálogo de <strong data-start="85" data-end="95">Fender</strong> en <strong data-start="99" data-end="107">1983</strong> como un acabado <strong data-start="124" data-end="134">Custom</strong> dentro de la serie <strong data-start="154" data-end="163">Elite</strong> (Japan, 1983-1986).</p>\r\n
        <p data-start="187" data-end="349">Desde entonces, ha sido utilizado en varias series de <strong data-start="241" data-end="262">Fender Jazzmaster</strong>, <strong data-start="264" data-end="278">Telecaster</strong> y <strong data-start="281" data-end="297">Stratocaster</strong>, incluyendo la <strong data-start="313" data-end="346">Signature de Lincoln Brewster</strong>.</p>\r\n
        <p data-start="351" data-end="418">Este color está inspirado en el legendario <strong data-start="394" data-end="415">Buick GSX de 1972</strong>.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack.</strong></p>\r\n
        <h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Aztec Gold</li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
        """
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        <p></p>\r\n
        <h2>TINTE AL AGUA NITORAQUA ROJO ESCARLATA</h2>\r\n
        <ul><li><strong>Cantidad: </strong>250 ml</li>\r\n
        <li><strong>Color: </strong>Rojo escarlata</li>\r\n
        <li><strong>Descripción: </strong>Los <strong>tintes al agua NitorAqua</strong> se aplican manualmente de forma muy sencilla, con una pequeña esponja o muñequilla.<br /><p>Estos tintes base de agua consiguen resaltar el color entre las partes duras y blandas de la madera de la guitarra, destacando la <strong>forma natural de la madera</strong> y el poro en maderas como el fresno. </p>\r\n
        <p>Si tienes una madera con efecto Flamed and Quilted, te quedará un efecto 3D impresionante.</p>\r\n
        <p>Además de estos tintes, puedes terminar tu guitarra con cualquiera de los <strong>productos de</strong> <strong>Nitorlack</strong>, con acabados al agua como <strong>nitrocelulosa o poliuretano.<br /><br /></strong></p>\r\n
        </li>\r\n
        </ul><p></p>\r\n
        <h2>PROCESO APLICACIÓN DEL TINTE</h2>\r\n
        <p>Antes de empezar, te recomendamos hacer una <strong>pequeña prueba del color</strong> elegido en una madera de testigo lo más parecida posible a la guitarra.</p>\r\n
        <p>Con una <strong>pequeña esponja</strong>, realiza las pruebas necesarias antes de aplicarlo en la guitarra, comprobando la <strong>intensidad del color y las capas</strong> necesarias para conseguir el efecto deseado. Se puede diluir en agua para conseguir el color final con más capas.</p>\r\n
        <p>Una vez elegido el color, es el momento de aplicarlo directamente en tu <strong>guitarra</strong>.</p>\r\n
        <p><iframe width="560" height="315" src="https://www.youtube.com/embed/IVvPXL47a4o" title="YouTube video player" frameborder="0"></iframe></p>\r\n
        <p></p>\r\n
        <h3>PASOS A SEGUIR:</h3>\r\n
        <ul><li>Preparamos la guitarra con <strong>lija de P240</strong> hasta dejar la superficie lisa.</li>\r\n
        <li><strong>Humedecemos la superficie de la guitarra con agua</strong> y dejamos secar para sacar el repelo.</li>\r\n
        <li><strong>Lijamos con P400</strong> para quitar el repelo y dejar la guitarra lista para aplicar.</li>\r\n
        <li>Tapamos con cinta de carrocero las superficies que no queremos tintar o evitar que se manchen.</li>\r\n
        <li><strong>Agitar bien el bote</strong> antes de cargar la esponja o la muñequilla(IMPORTANTE).</li>\r\n
        <li>En un pequeño trozo de esponja ponemos <strong>4 o 5 gotas de tinte</strong> y aplicamos directamente en la guitarra. Lo repartimos bien, realizando movimientos longitudinales por toda la guitarra hasta que el tinte quede perfectamente distribuido.</li>\r\n
        <li><strong>Trabaja por secciones</strong>, por ejemplo, empiece por el lado más bajo y trabaje hacia arriba. Aplica desde el centro de la sección hacia el exterior para evitar que se derrame por los lados.</li>\r\n
        <li>Si queremos <strong>más intensidad de color</strong>, podemos aplicar otra capa de tinte lijando suavemente con P400 previamente.</li>\r\n
        </ul><p></p>
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        <p data-start="124" data-end="268">El color <strong data-start="133" data-end="154">Gibson Olive Drab</strong> se popularizó gracias a la <strong data-start="182" data-end="199">Gibson ES-335</strong> del fundador de <strong data-start="216" data-end="231">Soundgarden</strong>, Chris Cornell, fallecido en 2017.</p>\r\n
        <p data-start="270" data-end="490">El nombre «olive drab» hace referencia a su tono marrón verdoso. Gibson lo utilizó en algunas <strong data-start="364" data-end="370">SG</strong> de mediados de los años 60 y lo recuperó en 2013 para la exclusiva y muy limitada <strong data-start="453" data-end="487">Chris Cornell ES-335 Signature</strong>.</p>\r\n
        <p data-start="492" data-end="643">Actualmente, <strong data-start="505" data-end="515">Gibson</strong>, <strong data-start="517" data-end="529">Epiphone</strong> y <strong data-start="532" data-end="542">Fender</strong> emplean con frecuencia este color en modelos tanto de gama baja como en ediciones <strong data-start="625" data-end="640">custom shop</strong>.</p>\r\n
        <p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
        <h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
        <ul>\r\n
        <li><strong>Cantidad</strong>: 400ml.</li>\r\n
        <li><strong>Formato</strong>: Spray</li>\r\n
        <li><strong>Color</strong>: Olive Drab</li>\r\n
        </ul>\r\n
        <p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
        <p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
        """
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