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Tinte Concentrado Oro Viejo NITORLACK® (0,25l)
Ref: 12263
En stock
Cantidad : 0,25lColor : Oro ViejoDescripción : Son tintes concentrados que se utilizan para el tintado de todo tipo de instrumentos. Poseen una elevada transparencia, buen poder de igualación, secado rápido y resistencia a la luz. Son tintes con gran transparencia que resaltan la veta y la belleza de la madera.Se pueden diluir entre si para conseguir el tinte personalizado que necesites.Modo de empleo
Ver ficha de seguridad de Tinte Concentrado Negro
Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.
Referencia
12263
En stock
9 Artículos
Ficha técnica
Instrumento: Guitarra Clásica / Flamenca
Referencias específicas
upc: 66778899
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<h2>Descripción General Tinte Concentrado Verde Maderas Barber NITORLACK® (0,25l):</h2>\r\n
<p>Los tintes concentrados de la serie NitorTint de Nitorlack son tintes empleados en todo tipo de instrumentos. Entre sus cualidades destacan una<strong> elevada transparencia, buen poder de igualación, secado rápido y resistencia al efecto aclarador de la luz solar</strong>. Estos productos realzan la veta y la belleza de la madera.</p>\r\n
<p>En una asombrosa colaboración, <strong>Valresa</strong> ha desarrollado para nosotros<strong> un color exclusivo que solo podrás encontrar en nuestra web</strong>. Formulado para una guitarra construida en nuestras instalaciones con <strong>los mejores materiales disponibles en el mercado</strong> y sorteada entre nuestros clientes, este verde intenso atraerá todas las miradas sobre tu guitarra.</p>\r\n
<p>Dilúyelos entre si para conseguir el tinte personalizado que desees. Estos tintes concentrados poseen una doble utilidad. En primer lugar pueden diluirse con un disolvente para aplicar directamente a la madera a muñequilla o pistola aerográfica. Y además <strong>pueden emplearse para dar color al barniz de acabado</strong>. Son tintes universales que se pueden diluir en disolvente, agua o alcohol. En el caso de aplicar a muñequilla se recomienda utilizar agua o un disolvente Nitorlack Retard. El fabricante recomienda diluir en una proporción de entre 3% y un 10% el tinte NitorTINT dependiendo del tipo de aplicación.</p>\r\n
<h2 class="MsoNormal">Características:</h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Verde Maderas Barber</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">MODO DE EMPLEO</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">VER FICHA DE SEGURIDAD DE TINTE CONCENTRADO</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<h2><strong>Laca Nitrocelulosa Nitorlack® Inca Silver Spray</strong></h2>\r\n
<p data-start="124" data-end="226">Acabado clásico <strong data-start="140" data-end="166">Inca Silver</strong>, con un grano metálico más fino que el <strong data-start="206" data-end="223">Silversparkle</strong>.</p>\r\n
<p data-start="228" data-end="357">Suele utilizarse como base para colores como <strong data-start="273" data-end="292">Candy Apple Red</strong> o acabados <strong data-start="304" data-end="324">semitranslúcidos</strong>, aportando un efecto metálico.</p>\r\n
<p data-start="359" data-end="486">Este color funciona mejor sobre una base blanca y requiere un acabado brillante para proteger el color y aportar profundidad.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Inca Silver</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<ul><li><strong>Cantidad</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Amarillo</li>\r\n
<li><strong>Descripción</strong>: Son tintes concentrados que se utilizan para el tintado de todo tipo de instrumentos. Poseen una elevada transparencia, buen poder de igualación, secado rápido y resistencia a la luz. Son tintes con gran transparencia que resaltan la veta y la belleza de la madera.Se pueden diluir entre si para conseguir el tinte personalizado que necesites.</li>\r\n
</ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-050-amarillo.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Tinte Concentrado Amarillo</a></p>\r\n
<p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<p></p>\r\n
<h2>TINTE AL AGUA NITORAQUA AMARILLO SANTANA</h2>\r\n
<ul><li><strong>Cantidad: </strong>250 ml</li>\r\n
<li><strong>Color: </strong>Amarillo Santana</li>\r\n
<li><strong>Descripción: </strong>Los <strong>tintes al agua NitorAqua</strong> se aplican manualmente de forma muy sencilla, con una pequeña esponja o muñequilla.<br /><p>Estos tintes base de agua consiguen resaltar el color entre las partes duras y blandas de la madera de la guitarra, destacando la <strong>forma natural de la madera</strong> y el poro en maderas como el fresno. </p>\r\n
<p>Si tienes una madera con efecto Flamed and Quilted, te quedará un efecto 3D impresionante.</p>\r\n
<p>Además de estos tintes, puedes terminar tu guitarra con cualquiera de los <strong>productos de</strong> <strong>Nitorlack</strong>, con acabados al agua como <strong>nitrocelulosa o poliuretano.<br /><br /></strong></p>\r\n
</li>\r\n
</ul><p></p>\r\n
<h2>PROCESO APLICACIÓN DEL TINTE</h2>\r\n
<p>Antes de empezar, te recomendamos hacer una <strong>pequeña prueba del color</strong> elegido en una madera de testigo lo más parecida posible a la guitarra.</p>\r\n
<p>Con una <strong>pequeña esponja</strong>, realiza las pruebas necesarias antes de aplicarlo en la guitarra, comprobando la <strong>intensidad del color y las capas</strong> necesarias para conseguir el efecto deseado. Se puede diluir en agua para conseguir el color final con más capas.</p>\r\n
<p>Una vez elegido el color, es el momento de aplicarlo directamente en tu <strong>guitarra</strong>.</p>\r\n
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/pSXaEQox5jE" title="YouTube video player" frameborder="0"></iframe></p>\r\n
<p></p>\r\n
<h3>PASOS A SEGUIR:</h3>\r\n
<ul><li>Preparamos la guitarra con <strong>lija de P240</strong> hasta dejar la superficie lisa.</li>\r\n
<li><strong>Humedecemos la superficie de la guitarra con agua</strong> y dejamos secar para sacar el repelo.</li>\r\n
<li><strong>Lijamos con P400</strong> para quitar el repelo y dejar la guitarra lista para aplicar.</li>\r\n
<li>Tapamos con cinta de carrocero las superficies que no queremos tintar o evitar que se manchen.</li>\r\n
<li><strong>Agitar bien el bote</strong> antes de cargar la esponja o la muñequilla(IMPORTANTE).</li>\r\n
<li>En un pequeño trozo de esponja ponemos <strong>4 o 5 gotas de tinte</strong> y aplicamos directamente en la guitarra. Lo repartimos bien, realizando movimientos longitudinales por toda la guitarra hasta que el tinte quede perfectamente distribuido.</li>\r\n
<li><strong>Trabaja por secciones</strong>, por ejemplo, empiece por el lado más bajo y trabaje hacia arriba. Aplica desde el centro de la sección hacia el exterior para evitar que se derrame por los lados.</li>\r\n
<li>Si queremos <strong>más intensidad de color</strong>, podemos aplicar otra capa de tinte lijando suavemente con P400 previamente.</li>\r\n
</ul><p></p>
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<p><b></b></p>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 500ml</li>\r\n
<li><strong>Descripción</strong>: Acabado tinte vintage amber.<br />Consigue el tono vintage de los mástiles antiguos a base de finas capas de acabado entonado, hasta obtener la intensidad que se desee.</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/nitorlack-amber-vintage.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Ámbar Vintage Nitorlack</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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Acabado tinte vintage amber.\r\n
Consigue el tono vintage de los mástiles antiguos a base de finas capas de acabado entonado
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<h2><strong>Descripción General Laca Nitrocelulosa Nitorlack® Sonic Blue Spray <br /></strong></h2>\r\n
<p data-start="30" data-end="70">Acabado clásico <strong data-start="46" data-end="67">Sonic Blue Fender</strong>. Color inspirado en los <strong data-start="95" data-end="115">Cadillac de 1956</strong> y posteriormente incorporado a la carta de <strong data-start="159" data-end="179">Chrysler en 1958</strong>. Muy buscado en antiguas <strong data-start="208" data-end="224">Stratocaster</strong> y <strong data-start="227" data-end="241">Telecaster</strong> de <strong data-start="245" data-end="255">Fender</strong>, así como en modelos <strong data-start="277" data-end="288">Mustang</strong>, incluyendo la <strong data-start="304" data-end="339">Kurt Cobain (Nirvana) Signature</strong>.</p>\r\n
<p data-start="344" data-end="607"><strong data-start="344" data-end="358">Importante</strong>: En colores claros como este, el tono final de la guitarra puede adquirir un ligero matiz amarillento si se aplican capas de barniz como acabado. Esto ocurre porque el barniz, ya sea <strong data-start="542" data-end="551">nitro</strong> o <strong data-start="554" data-end="569">poliuretano</strong>, tiende a amarillear con el tiempo.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack.</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Sonic Blue</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<h2>Descripción General Tinte Concentrado Verde NITORLACK® (Green 0,25l):</h2>\r\n
<p>Los tintes concentrados de la serie NitorTint de Nitorlack son tintes empleados en todo tipo de instrumentos. Entre sus cualidades destacan una<strong> elevada transparencia, buen poder de igualación, secado rápido y resistencia al efecto aclarador de la luz solar</strong>. Estos productos realzan la veta y la belleza de la madera.</p>\r\n
<p>Dilúyelos entre si para conseguir el tinte personalizado que desees. Estos tintes concentrados poseen una doble utilidad. En primer lugar pueden diluirse con un disolvente para aplicar directamente a la madera a muñequilla o pistola aerográfica. Y además <strong>pueden emplearse para dar color al barniz de acabado</strong>. <strong>El color verde es una excepción en la gama Nitortint ya que no se puede diluir en agua, pero sí en disolvente o alcohol</strong>. En el caso de aplicar a muñequilla se recomienda utilizar agua o un disolvente Nitorlack Retard. El fabricante recomienda diluir en una proporción de entre 3% y un 10% el tinte NitorTINT dependiendo del tipo de aplicación.</p>\r\n
<h2 class="MsoNormal">Características:</h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Verde</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">MODO DE EMPLEO</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">VER FICHA DE SEGURIDAD DE TINTE CONCENTRADO</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
<p></p>
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<h2><strong>Laca Nitrocelulosa Nitorlack® Oxford Gray Spray</strong></h2>\r\n
<p data-start="124" data-end="349">La guitarra <strong data-start="136" data-end="164">Gibson Les Paul Standard</strong> comenzó a fabricarse en 1958, en una época en la que los colores personalizados de los principales fabricantes de automóviles estaban en plena tendencia en la cultura estadounidense.</p>\r\n
<p data-start="351" data-end="598">El color <strong data-start="360" data-end="375">Oxford Gray </strong>es un reflejo de esa influencia, tomado de la paleta automotriz de la época. Nunca antes había sido utilizado en un instrumento <strong data-start="504" data-end="521">Gibson Custom</strong>, lo que lo convierte en una propuesta audaz y elegante dentro de la marca.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Oxford Gray</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<ul><li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Blanco Vintage</li>\r\n
<li><strong>Descripción</strong>: Acabado clásico "Vintage White" brillo spray. Acabado comercializado por Fender en las guitarras desde los últimos años 60 hasta el 74. Se trata de una acabado amarillo-crema que varía sustancialmente dependiendo de la época fabricación de de Fender.</li>\r\n
</ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p></p>\r\n
<p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<li><span>Mezclado con resina epoxi, ¡crea un efecto metálico en cualquier producto!</span></li>\n
<li><span>La amplia gama de tonalidades permite su uso en bellas artes, decoración, restauración y muchos usos industriales.</span></li>\n
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<h2><strong>Laca Nitrocelulosa Nitorlack® Ocean Turquoise Metallic Spray</strong></h2>\r\n
<p data-start="124" data-end="321">El nombre <strong data-start="134" data-end="162">Ocean Turquoise Metallic</strong> fue utilizado por <strong data-start="181" data-end="189">Ford</strong> en su modelo <strong data-start="203" data-end="214">Mustang</strong> en 1962. <strong data-start="224" data-end="234">Fender</strong> lo adoptó en los años 60 en guitarras <strong data-start="273" data-end="287">Telecaster</strong>, <strong data-start="289" data-end="305">Stratocaster</strong> y <strong data-start="308" data-end="318">Jaguar</strong>.</p>\r\n
<p data-start="323" data-end="494">Se trata de un color <strong data-start="344" data-end="387">metalizado azulado con matices verdosos</strong>, que con el tiempo tiende a acentuar su tonalidad verde debido al amarilleo natural de la nitrocelulosa.</p>\r\n
<p data-start="496" data-end="611">Muy utilizado con <strong data-start="514" data-end="538">golpeadores tortoise</strong> y <strong data-start="541" data-end="565">diapasón de palorosa</strong>, es un color llamativo y lleno de carácter.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Ocean Turquoise Metallic</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<h2><b>KIT 3 TINTES COLORES NITORLACK</b></h2>\r\n
<ul><li><strong>Kit incluye: </strong>NitoTint <strong>Negro</strong> Spray, NitorTint <strong>Rojo</strong> Spray, NitorTint <strong>Amarillo</strong> Spray, Nitorlack <strong>Primer Spray</strong>(laca)</li>\r\n
<li><strong>Cantidad</strong>: 400 ml </li>\r\n
<li><strong>Descripción</strong>: <strong>Tintes</strong> en formato spray que necesitas para pintar tu guitarra en <strong>3 tone sunburst</strong> de forma fácil y sencilla, sin necesidad de tener equipo de pintura. Te explicamos todos los pasos a seguir con tutoriales y videos. También tenemos disponible un <strong>kit de acabado transparente</strong>, con los productos necesarios para realizar el proceso de Primer y Acabado.</li>\r\n
</ul><p><strong><span style="color:#71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/X0xxSVJek4E" title="YouTube video player" frameborder="0"></iframe></p>\r\n
<p></p>\r\n
<h2>PROCESO APLICACIÓN DEL TINTE<br /><br /></h2>\r\n
<p><strong>1- PREPARACION DEL SOPORTE</strong></p>\r\n
<p>Partimos de un cuerpo de guitarra ya fondeado y preparado para aplicar el kit sunburst.</p>\r\n
<p>Puedes ver todo el proceso de preparación y comprar los productos con este kit</p>\r\n
<p><strong>2- APLICACIÓN DE TINTE AMARILLO BASE</strong></p>\r\n
<p>Lijaremos con <strong>grano P800</strong> hasta matizar perfectamente toda la guitarra y con esto conseguiremos una base perfectamente lisa y con agarre para el tinte amarillo.</p>\r\n
<p>Aplicamos <strong>NitorTint Yellow Spray</strong> uniformemente en las dos caras de la guitarra, cruzando la aplicación para que sea lo más uniforme posible sin ser necesario aplicar los bordes debido a que los vamos a tapar posteriormente</p>\r\n
<p>Fijamos el tinte con <strong>1 capa fina de NitorLack Primer</strong></p>\r\n
<p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
<p><strong>3- APLICACIÓN DE TINTE NEGRO</strong></p>\r\n
<p>Lijaremos con grano P800 hasta matizar toda la guitarra. Hay que tener cuidado de no llegar hasta el tinte amarillo porque se corre el riesgo de pelarse.</p>\r\n
<p>Aplicamos <strong>NitorTint Black Spray</strong> por el borde de la guitarra hasta cubrir. Intentar aplicar de dentro hacia afuera para no manchar el centro.</p>\r\n
<p>Si cae alguna gota de tinte en el centro que queremos retirar, lo haremos ahora lijando con P800 muy suave. Siempre antes de fijar el tinte.</p>\r\n
<p>Una vez terminado, fijamos el tinte con 1 capa fina de NitorLack Primer</p>\r\n
<p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
<p><strong>4- APLICACIÓN DE TINTE ROJO</strong></p>\r\n
<p>Lijaremos con grano P800 hasta matizar toda la guitarra. Hay que tener cuidado de no llegar hasta el tinte amarillo o negro en los bordes porque se corre el riesgo de pelarse.</p>\r\n
<p>Aplicamos NitorTint Black Spray entre el negro y el amarillo . Intentar aplicar de dentro hacia afuera para no manchar el centro.</p>\r\n
<p>Si cae alguna gota de tinte en el centro que queremos retirar, lo haremos ahora lijando con P800 muy suave. Siempre antes de fijar el tinte.</p>\r\n
<p>Una vez terminado, fijamos el tinte con 1 capa fina de NitorLack Primer</p>\r\n
<p>Dejamos secar 1 hora como mínimo. (preferiblemente de 2 a 3 horas)</p>\r\n
<p><strong>5- ACABADO FINAL DE LA GUITARRA</strong></p>\r\n
<p>Puedes ver todo el proceso de acabado y comprar los productos con este kit<br /><br /></p>\r\n
<p><strong>RECOMENDACIONES GENERALES</strong></p>\r\n
<p>Agitar enérgicamente los sprays de <strong>3 a 5 minutos </strong>antes de su aplicación. Aplicar en una superficie testigo antes realizarlo en la guitarra.</p>\r\n
<p>Un acabado SUNBURST con Nitorlack, debe tener un total de<strong> 6 a 10 manos en total</strong>, contando fondo – color – acabado, con un mínimo de 3-4 manos de acabado brillo. Esto dará un <strong>grosor</strong> aproximado de <strong>150 micras (0,15 mm)</strong> dependiendo de cuánto se lije, cuánta laca se aplique en cada mano y qué grosor de acabado se desee.</p>\r\n
<p>Si no se ha acabado algún instrumento con anterioridad, es recomendable aplicar unas 9 a 12 manos, así se tendrá la seguridad de no lijar o pulir el acabado en exceso, dejando partes con madera “desnuda”. A medida que se adquiera más experiencia con el producto y el método de acabado, serán necesarias menos manos y se podrán lograr acabados más finos.</p>\r\n
<p>Si al aplicar sucediera que accidentalmente se tuviera un “descuelgue” o “goterón”, hay que dejar secar el acabado 24 horas y nivelar lijando con <strong>lija P400</strong>, preferentemente sobre un taco de material duro. También se puede “cortar” el goterón con una cuchilla de afeitar, que es un método más rápido y con el que se evitan los accidentes que pueden ocasionar un lijado excesivo. Para familiarizarse con el proceso, es conveniente hacer pruebas sobre descartes de madera, a fin de evaluar por sí mismo las características del proceso de acabar una guitarra</p>\r\n
<p>También es recomendable utilizar una <strong>superficie “testigo”</strong> dónde ir aplicando las capas de laca al mismo tiempo que en la pieza a acabar. Un papel pegado con cinta de carrocero a un soporte rígido (madera, cartón grueso) es una sugerencia. Así, midiendo primero el grosor del papel con un calibre y luego midiendo el grosor resultante de las sucesivas capas una vez secas, se tendrá una idea bastante certera del grosor de la capa que se va aplicando y así poder tener una idea más ajustada del grosor de la misma. Un grosor de 150 a 180 micras (0,15 a 0,18 mm) garantiza un acabado fino, que respeta las vibraciones propias del instrumento, a la vez de protegerlo, evitando grosores excesivos</p>\r\n
<p>Siempre <strong>aplicar capas finas</strong>. Dejar secar 24 horas y lijar entre capas. Aplicar en manos cruzadas para repartir bien el producto. Aplicar con una distancia aproximada de 15 a 20 cm.<br /><br /></p>\r\n
<p><strong>RECOMENDACIONES DE SEGURIDAD</strong></p>\r\n
<p>Aplicar en lugares ventilados o con extracción. Llevar guantes, prendas, gafas y máscara de protección. Lavarse concienzudamente tras la manipulación. En caso de contacto con los ojos: Enjuagar con agua cuidadosamente durante varios minutos. Quitar las lentes de contacto cuando estén presentes y pueda hacerse con facilidad. Proseguir con el lavado. Líquido y vapores muy inflamables. Provoca irritación cutánea. Provoca lesiones oculares graves. Puede provocar somnolencia о vértigo.</p>\r\n
<p></p>
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<h2><strong>Descripción General Laca Nitrocelulosa Nitorlack® Hot Rod Red Spray <br /></strong></h2>\r\n
<p>Acabado clásico <strong data-start="46" data-end="68">Fender Hot Rod Red</strong>. Este color es entre un <strong data-start="96" data-end="123">10 % y 15 % más intenso</strong> que el <strong data-start="131" data-end="145">Torino Red</strong>. Aporta <strong data-start="157" data-end="169">carácter</strong> y una gran <strong data-start="181" data-end="196">profundidad</strong> al acabado de la guitarra.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<ul><li><strong>Cantidad</strong>: 0,25l</li>\r\n
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<li><strong>Descripción</strong>: Son tintes concentrados que se utilizan para el tintado de todo tipo de instrumentos. Poseen una elevada transparencia, buen poder de igualación, secado rápido y resistencia a la luz. Son tintes con gran transparencia que resaltan la veta y la belleza de la madera. Se pueden diluir entre si para conseguir el tinte personalizado que necesites.</li>\r\n
</ul><p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-056-miel.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">Ver ficha de seguridad de Tinte Concentrado Miel</a></p>\r\n
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<h2><strong>Laca Nitrocelulosa Nitorlack® Teal Green Metallic Spray</strong></h2>\r\n
<p data-start="117" data-end="366">El nombre original de este color es <strong data-start="153" data-end="161">Teal</strong>, y Fender añadió el sufijo «Green». Su primera aparición fue en 1962 en los automóviles Ford y Lincoln bajo el nombre <strong data-start="280" data-end="310">Riviera Turquoise Metallic</strong>, y en los Ford Thunderbirds como <strong data-start="344" data-end="363">Patrician Green</strong>.</p>\r\n
<p data-start="368" data-end="485">Es un color muy utilizado en <strong data-start="397" data-end="413">Stratocaster</strong> con golpeador blanco, tanto en diapasones de arce como de palisandro.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Teal Green Metallic</li>\r\n
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<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<h2><strong>Laca Nitrocelulosa Nitorlack® Butterscotch Blonde Spray</strong></h2>\r\n
<p data-start="30" data-end="72">Acabado clásico <strong data-start="46" data-end="69">Butterscotch Blonde</strong>. Este color fue introducido por <strong data-start="105" data-end="115">Fender</strong> en 1952 y está estrechamente ligado a la <strong data-start="157" data-end="171">Telecaster</strong>.</p>\r\n
<p data-start="176" data-end="319">Es un acabado <strong data-start="190" data-end="208">semi-pigmentado</strong>, lo que significa que, según el número de capas aplicadas, la veta de la madera quedará más o menos visible.</p>\r\n
<p><strong>Nitorlack</strong> se ha convertido a lo largo de la última década en una de las <strong>referencias fundamentales en lacas de nitrocelulosa</strong>, replicando con precisión la mayor parte de los colores exclusivos de las grandes marcas de la guitarra. Infinidad de constructores en todo el mundo, ya sean profesionales o aficionados, emplean los productos <strong>Nitorlack</strong></p>\r\n
<h2 class="MsoNormal"><strong>Características</strong></h2>\r\n
<ul>\r\n
<li><strong>Cantidad</strong>: 400ml.</li>\r\n
<li><strong>Formato</strong>: Spray</li>\r\n
<li><strong>Color</strong>: Butterscotch Blonde</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORLACK%20COLORES-docx_1.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">Modo de empleo</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>
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<h2><strong>Descripción General Tinte Concentrado Nogal NITORLACK® (Walnut 0,25l):</strong></h2>\r\n
<p>Los tintes concentrados de la serie NitorTint de Nitorlack son tintes empleados en todo tipo de instrumentos. Entre sus cualidades destacan una<strong> elevada transparencia, buen poder de igualación, secado rápido y resistencia al efecto aclarador de la luz solar</strong>. Estos productos realzan la veta y la belleza de la madera.</p>\r\n
<p>Dilúyelos entre si para conseguir el tinte personalizado que desees. Estos tintes concentrados poseen una doble utilidad. En primer lugar pueden diluirse con un disolvente para aplicar directamente a la madera a muñequilla o pistola aerográfica. Y además <strong>pueden emplearse para dar color al barniz de acabado</strong>. Son tintes universales que se pueden diluir en <strong>disolvente, agua o alcohol</strong>. En el caso de aplicar a muñequilla se recomienda utilizar agua o un disolvente Nitorlack Retard. El fabricante recomienda diluir en una proporción de entre 3% y un 10% el tinte NitorTINT dependiendo del tipo de aplicación.</p>\r\n
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<li><strong>Cantidad</strong>: 0,25l</li>\r\n
<li><strong>Color</strong>: Nogal</li>\r\n
</ul>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/NITORTINT.pdf" target="_blank" class="btn btn-default" rel="noreferrer noopener">MODO DE EMPLEO</a></p>\r\n
<p><a href="https://maderasbarber.com/tonewood/img/cms/tinte-concentrado-049-negro.PDF" target="_blank" class="btn btn-default" rel="noreferrer noopener">VER FICHA DE SEGURIDAD DE TINTE CONCENTRADO</a></p>\r\n
<p><strong><span style="color: #71a32f;">Producto inflamable. No permite envío aéreo. Sólo para envíos con transporte terrestre.</span></strong></p>\r\n
<p></p>
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