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Renfort Manche Graphite Guitare Électrique
Ref: 8392
En stock
- Dimensions : 440x8,5x4 mm
8392
33 Produits
Fiche technique
- Type d'Accastillage: Tiges de Réglage et Renforts
- Instrument: Guitare Électrique
- Partie de L' instrument: Manche
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<h2><strong>Description du Jeu de Cordes La Bella 2001 Guitare Classique Medium</strong></h2>\r\n
<p>Les <strong>cordes 2001 Medium Tension</strong> sont extrêmement souples et sensibles au moindre vibrato de la main gauche et aux subtils changements de tonalité de la main droite. <strong>Elles allient la facilité de performance à une énorme facilité de jeu.</strong><br /><br />Les cordes de guitare classique de la série 2001 sont le <strong>résultat de plusieurs années de recherche et de développement intensifs</strong>. Au cours du processus de création de la série 2001, plusieurs prototypes ont été testés dans le monde entier en collaboration avec d'excellents artistes et professeurs. Ces guitaristes ont exprimé le besoin de cordes pour guitare classique offrant une meilleure réponse, une plus grande clarté et un meilleur sustain. Pour répondre à cette demande, La Bella a redessiné les cordes aiguës et les cordes basses en fonction des nouvelles spécifications.<br /><br />Les cordes aiguës en nylon 202 offrent une plus grande <strong>transparence auditive et une meilleure projection du son.</strong><br /><br />Les cordes plaquées argent ont une <strong>mémoire d'accord exceptionnelle et une production sonore constante.</strong><br /> <br />Elles sont <strong>emballées avec la technologie MAP (Modified Atmosphere Packaging)</strong> pour éviter le ternissement et garantir leur fraîcheur.</p>\r\n
<p>Les frères Emilio et Olinto Mari quittent l'entreprise familiale pour rechercher de nouvelles opportunités en Amérique. Ils fabriquent des cordes en boyau et en acier dans leur petit appartement du sud de Manhattan. Au fur et à mesure que les musiciens de la région en entendaient parler, la popularité de leur produit a augmenté. Un magasin de musique local s'intéresse à leurs cordes artisanales de haute qualité et leur propose de les aider à se développer. Les frères Emilio et Olinto Mari s'installent alors à New York et se font rapidement connaître pour leurs cordes artisanales de haute qualité. Elles sont fabriquées sous les marques La Preferita, Sweetone, Criterion et New-Tone. La première usine a ouvert ses portes en 1914 au 170 de la Cinquième Avenue.<br /><br />Aujourd'hui, la société E. & O. Mari/La Bella est toujours une entreprise familiale qui fabrique<strong> les cordes de la meilleure qualité au monde.</strong> La Bella est l'un des fabricants de cordes les plus réputés des États-Unis. Elle distribue environ 2000 modèles différents de cordes dans le monde entier pour tous les types d'instruments. Elle les fabrique à l'aide des technologies les plus récentes afin d'offrir des <strong>produits garantis et fiables.</strong></p>\r\n
<h2><strong>Caractéristiques</strong></h2>\r\n
<ul style="list-style-type: disc;">\r\n
<li><strong>Instrument : </strong>guitare classique</li>\r\n
<li><strong>Calibres : </strong> aigus en nylon clair : 0,029 0,0335 0,041 ; basses plaquées argent : .0285 .035 .0415</li>\r\n
<li><strong>Enroulement : </strong>Argent plaquée rond</li>\r\n
<li><strong>Fabriqué aux Etats-Unis</strong></li>\r\n
</ul>\r\n
<p></p>
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<h2>Description générale Jeu Frettes Jescar 2.03 mm FS43080-NS:</h2>\r\n
<p>Ce jeu de <strong>frettes prédécoupées</strong> de la célèbre <strong>marque américaine Jescar</strong> est le choix idéal si vous devez <strong>équiper une seule guitare.</strong></p>\r\n
<p>Le jeu comprend 25 pièces, d'une longueur de 70 mm et d'un radius de 10", conçues pour répondre à vos besoins en matière de<strong> construction ou de réparation de guitares.</strong> Le nombre habituel de frettes sur une guitare électrique est de 21 à 24 et leur longueur ne dépasse pas 58 mm dans la partie la plus large de la touche, c'est pourquoi le Jescar 25 Fret Set permet de travailler avec une marge idéale en termes de quantité et de taille. Ce modèle est fabriqué en <strong>alpaga</strong> avec une teneur en<strong> nickel</strong> de 18% pour une plus <strong>grande dureté </strong>et une plus longue durée de vie.</p>\r\n
<h2>Comment choisir la bonne frette ?</h2>\r\n
<p>Le choix de la frette la plus appropriée est sans aucun doute une décision fondamentale lors de la <strong>construction ou de la réparation</strong> d'une guitare. Les critères de base pour le choix d'une frette doivent prendre en compte sa forme (la partie qui surplombe la touche, ou couronne) et le matériau dont elle est faite. La largeur et la hauteur de la couronne de la frette ont une influence décisive sur la sensation de jeu du musicien. Bien sûr, chacun a ses propres préférences, mais nous pouvons énumérer un certain nombre de caractéristiques indéniables. Plus les frettes sont basses, plus on se sent à l'aise en jouant des accords. En effet, il y a moins d'efforts à faire pour tendre les cordes. Il est courant de trouver ce type de frettes sur les <strong>guitares vintage</strong>. A l'inverse, des frettes plus hautes facilitent l'exécution de techniques telles que le bending et ont une durée de vie plus longue, car il y a plus de matière pour les affûtages successifs des frettes... . En ce qui concerne la largeur, plus les frettes sont larges, plus le contact avec le manche sera confortable, mais cela nécessitera également un travail plus précis au moment de les tailler afin d'éviter les problèmes d'intonation.</p>\r\n
<p>En ce qui concerne les matériaux,<strong> l'alpaga</strong> est traditionnellement utilisé. Il s'agit d'un alliage composé de zinc, de cuivre et de nickel qui présente un équilibre idéal entre dureté, résistance à l'abrasion et ductilité. Il existe différentes formulations dont la teneur en zinc varie de 12 à 18 %. Plus ce pourcentage est élevé, plus la frette est dure. Ces dernières années, des frettes fabriquées dans d'autres matériaux tels que le bronze ou l'acier inoxydable sont apparues, offrant de nouvelles possibilités. Dans ce dernier cas, n'oubliez pas qu'en raison de sa dureté, vous aurez besoin d'outils spéciaux pour la travailler.</p>\r\n
<h2>Caractéristiques :</h2>\r\n
<p><strong>Jeu</strong> de 25 pièces</p>\r\n
<p><strong>Dimensions</strong> : 2,03 mm x 1,09 mm</p>\r\n
<p><strong>Matériau</strong> : Alpaga (18% Nickel)</p>
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"description_short" => "<h2>Description générale des Pièces en Nacre : </h2><p> <b> Les Pièces en Abalone para guitare présente les caractéristiques suivantes </b> :</p><ul> <li> Magnifique coquille d'abalone naturelle avec une variété fascinante de tons gris. Non polie, mais prête à être découpée dans la forme que vous souhaitez.</li> </ul> <h2><strong>Caractéristiques techniques Caractéristiques techniques des Pièces en Nacre :</strong></h2><p><strong>Dimensions :</strong> 30x30x1,5mm</p><p><strong>1 Pièce</strong></p><p><strong>Poids :</strong> 3 gr</p><p><strong>Matériau :</strong> Abalone</p>"
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<h2><strong>Cache Micro Style Stratocaster Ivoire</strong></h2>\r\n
<p>Cache en plastique ABS pour micro <strong>style Stratocaster</strong>, position manche ou chevalet (simple bobinage). Couleur <strong>ivoire.</strong></p>\r\n
<h2><strong>Caractéristiques Techniques</strong></h2>\r\n
<ul>\r\n
<li><strong>Instrument :</strong> Guitare électrique</li>\r\n
<li><strong>Matériau :</strong> Plastique ABS</li>\r\n
<li><strong>Couleur :</strong> Ivoire</li>\r\n
<li><strong>Dimensions extérieures :</strong> 83,2 × 18 mm (base × hauteur)</li>\r\n
<li><strong>Écartement des cordes :</strong> 52 mm</li>\r\n
<li><strong>Écartement des vis :</strong> 76,5 mm</li>\r\n
<li><strong>Diamètre des trous magnétiques :</strong> 5,2 mm</li>\r\n
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"description_short" => "<ul> <li> <strong> Pour Guitare Électrique / Acoustique <br /><br /> </strong> </li> <li> <strong> Set 6 u<br /><br /> </strong> </li> <li> <strong> Long: </strong> 260 mm<br /><br /> </li> <li> <strong> 12%Nickel </strong> <br /><br /> </li> <li> <strong> Description: </strong> Les frettes Sintoms triangulaires sont spécialement conçues pour les enregistrements en studio. Elles rendent le son de l’instrument plat, lumineux et clair.<br /><br />Les frettes sintoms sont une référence dans le monde des guitares et c’est grâce au résultat de plus de 30 ans de recherche, ce sont des produits qui sont conçus et produits selon les besoins des musiciens et des luthiers du monde entier.<p class="MsoNormal">Sintoms utilise une technologie de pointe et des matériaux de haute qualité qui empêchent d’absorber le son et améliorent le sustain sur les instruments en obtenant un son clair et lumineux, en plus de la précision de fabrication permet de réduire le temps de montage. Les frettes sintoms ont une haute résistance à l'usure car elles sont fabriquées en alpaga avec des pourcentages différents de nickel. Nous pouvons également trouver des frettes en acier inoxydable, laiton, bronze, titane et alliage anti-allergique.</p> </li> <li> <strong> <strong> Observations: </strong> </strong> 1 set est la quantité approximative nécessaire pour construire une guitare. </li> </ul> <p><a href="#our_price_display" class="btn btn-default">Faites clic pour choisir la quantité</a></p>"
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"description_short" => "<ul> <li> <strong> Quantité </strong> : Flacon de 20 g </li> <li> <strong> Description </strong> : La colle cyanoacrylate à haute viscosité CHESTNUT est particulièrement recommandée pour les assemblages nécessitant une manipulation préalable afin que les pièces à assembler soient parfaitement positionnées. Elle agit également comme un apprêt. Elle est très efficace sur tous les types de matériaux, qu'ils soient poreux, dotés d'une surface lisse ou d'une combinaison de ces deux éléments. </li> </ul>"
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<h2><strong>Description général du Set de 6 Frettes SINTOMS Maillechort<span style="color: #202124; font-family: arial, 'sans-serif-light', sans-serif; font-size: 24px; background-color: #ffffff;"> </span>2,7mm:</strong></h2>\r\n
<p>L'ensemble de<b> 6 Frettes SINTOMS en Maillechort de 2,7 mm est fabriqué par l'un des principaux fabricants de Frettes au monde. Ces Frettes sont en Maillechort , </b>également connue sous le nom d'argent allemand, un alliage composé de zinc, de cuivre et de nickel.</p>\r\n
<p>L'ensemble de Frettes SINTOMS comprend six Frettes de 2,7 mm, parfaits pour ceux qui recherchent un son précis et durable sur leur instrument.</p>\r\n
<h2 class="MsoNormal">Quels éléments dois-je prendre en compte lors du choix d'une taille de frettes ?</h2>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">Les frettes sont une <strong>partie fondamentale de l'instrument et sont constamment en contact avec les doigts du musicien.</strong> C'est pourquoi leur choix joue un rôle très important dans la construction de l'instrument.</span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">En ce qui concerne la facilité de jeu, il faut prendre en compte deux facteurs :<strong> la hauteur et la largeur des frettes.</strong></span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">La hauteur des frettes fait référence à la distance entre la touche et la partie supérieure de la frette. Avec des frettes plus hautes, il y a moins de contact entre les doigts et la touche. Ainsi, moins de pression est nécessaire pour faire sonner les notes. <strong>Cela facilite des techniques comme le bending et le tapping.</strong></span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">D'autre part, <strong>la largeur des frettes se réfère à la largeur de la partie supérieure des frettes.</strong> Avec des frettes plus larges, l'angle entre la touche et la partie supérieure de la couronne de la frette est plus petit. Cela facilite le glissement sur la touche. Cela contribue à une sensation plus douce lors du jeu avec des frettes plus larges. Et cela facilite également le bending des cordes.</span></p>\r\n
<h2 class="MsoNormal">Outils pour Frettes:</h2>\r\n
<p>Chez Maderas Barber, vous trouverez une <strong>large sélection d'outils</strong> pour vous aider à installer les frettes. Parmi ces outils, on trouve des<strong> <a href="https://maderasbarber.com/tonewood/es/limas-japonesas-trastes/2874-lima-para-trastes-estrechos-uo-chikyu-1r.html">limes pour refaire les frettes</a>,<a href="https://maderasbarber.com/tonewood/es/trastes/6923-disco-cortador-sintoms-ranura-trastes-043mm.html"> des disques de découpe</a></strong> pour créer les rainures sur la touche, des<strong> <a href="https://maderasbarber.com/tonewood/es/summit/1841-cortador-de-traste-con-martillo.html%20%20%C2%A0">coupe-frettes</a></strong> et des<a href="https://maderasbarber.com/tonewood/es/summit/1972-dispositivo-de-presion-multitarea-para-luthiers.html"><strong> dispositifs de pression pour luthiers</strong>.</a> Nous proposons également des<strong> <a href="https://maderasbarber.com/tonewood/es/pulimentos-y-tapa-poros/6461-kit-reparador-y-pulimento-para-trastes-.html">kits de réparation</a> </strong>et des produits pour polir et <strong><a href="https://maderasbarber.com/tonewood/es/abrasivos-y-pulimentos/6453-pulimento-y-limpiador-para-trastes-.html">nettoyer les frettes.</a></strong></p>\r\n
<p>De plus,<strong> nos experts sont disponibles pour vous conseiller dans le choix des outils et des frettes adaptés à votre instrument</strong></p>\r\n
<h2>Caractéristiques:</h2>\r\n
<ul>\r\n
<li><b>Quantité :</b> Ensemble de 6 unités</li>\r\n
<li><b>Taille : </b>Jumbo 2,7 mm de largeur, 260 mm de longueur</li>\r\n
<li><b>Matériau : </b>Maillechort , composition 12% de nickel</li>\r\n
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<h2>Description Générale Jeu Cordes D'Addario Acoustique EJ23 9-45 :</h2>\r\n
<p>Les cordes <strong>D'Addario Phosphor Bronze</strong> pour guitare acoustique sont réputées dans le monde entier pour leur <strong>sonorité exceptionnelle et durable</strong>. Le bronze phosphoreux a été introduit dans la fabrication des cordes par D'Addario en 1974 et est devenu synonyme de <strong>chaleur, de brillance et de sonorité acoustique équilibrée</strong>. Ces cordes sont les plus populaires de D'Addario pour les guitares acoustiques.</p>\r\n
<h2 class="MsoNormal">Caractéristiques :</h2>\r\n
<ul>\r\n
<li><strong>Calibres</strong>: .009 / .012 / .015 / .025 / .035 / .045</li>\r\n
<li><b>Matériau : </b>Bronze phosphoreux</li>\r\n
</ul>
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<h2><strong>Vega-Trem VT1 Special 2 Points Noir</strong></h2>\r\n
<p>Le <strong>Vega-Trem VT1 Special 2 Points Noir</strong> est un <strong>vibrato moderne pour guitares type Stratocaster</strong> équipées d’un système à deux pivots. Il se monte directement sur les pivots existants, sans aucune modification du corps. Son <strong>bloc en laiton</strong> et sa <strong>finition noire anodisée</strong> offrent un rendu sonore chaleureux et une esthétique durable et contemporaine.</p>\r\n
<ul>\r\n
<li><strong>Upgrade direct</strong> pour systèmes à deux pivots.</li>\r\n
<li><strong>Excellente stabilité d’accord</strong> même en usage intensif.</li>\r\n
<li><strong>Son chaud et équilibré</strong> grâce au bloc en laiton.</li>\r\n
<li><strong>Finition noire anodisée</strong> résistante à l’usure.</li>\r\n
<li><strong>Bras sans filetage</strong> avec réponse immédiate.</li>\r\n
</ul>\r\n
<h2><strong>Sensation Stratocaster, stabilité moderne</strong></h2>\r\n
<p>Ce modèle conserve la <strong>sensation typique d’un chevalet Stratocaster à deux pivots</strong>, confortable sous la main droite et proche de la table.</p>\r\n
<p>La géométrie du système fournit une <strong>très bonne stabilité d’accord</strong> et une action fluide du vibrato. Le <strong>bloc en laiton</strong> apporte rondeur et musicalité, tandis que la <strong>finition noire anodisée</strong> ajoute résistance et modernité visuelle.</p>\r\n
<h2><strong>Caractéristiques Techniques</strong></h2>\r\n
<ul>\r\n
<li><strong>Instrument :</strong> Guitare électrique type ST à 6 cordes.</li>\r\n
<li><strong>Système :</strong> Vega-Trem VT1 Special 2 Points Noir.</li>\r\n
<li><strong>Montage :</strong> Remplacement direct pour systèmes à deux pivots.</li>\r\n
<li><strong>Espacement des cordes :</strong> 10,7 mm (Mi–Mi 53,5 mm).</li>\r\n
<li><strong>Dimensions :</strong> 76 × 34 × 17 mm.</li>\r\n
<li><strong>Bloc :</strong> Laiton.</li>\r\n
<li><strong>Composants :</strong> Acier inoxydable.</li>\r\n
<li><strong>Finition :</strong> Noire anodisée.</li>\r\n
<li><strong>Inclus :</strong> Chevalet, bloc, ressorts, adaptateurs 2 points, vis de pivot, bras, clés hexagonales.</li>\r\n
<li><strong>Fabrication :</strong> Europe.</li>\r\n
</ul>\r\n
<h2><strong>Contenu du kit et rôle de chaque élément</strong></h2>\r\n
<ul>\r\n
<li><strong>Chevalet VT1 Special 2 Points (noir anodisé)</strong> – Conçu pour minimiser la friction et optimiser la stabilité.</li>\r\n
<li><strong>Bloc en laiton</strong> – Offre un son chaud avec une belle musicalité.</li>\r\n
<li><strong>Ressorts</strong> – Adaptés à différents tirants et tensions.</li>\r\n
<li><strong>Adaptateurs 2 points</strong> – Permettent d’utiliser les pivots d’origine.</li>\r\n
<li><strong>Vis de pivot</strong> – Assurent un axe stable pour le vibrato.</li>\r\n
<li><strong>Clés hexagonales</strong> – Pour réglages de l’action et de l’intonation.</li>\r\n
<li><strong>Bras sans filetage</strong> – Sensation immédiate sans jeu parasite.</li>\r\n
</ul>\r\n
<div class="mb-vt1-faq">\r\n
<h2><strong>FAQ – Réglages pour luthiers</strong></h2>\r\n
<details> <summary>Est-il compatible avec n’importe quelle guitare à deux pivots ?</summary>\r\n
<p>Le système est conçu pour des guitares <strong>ST avec vibrato à deux pivots</strong>. Si votre guitare utilise un <strong>vibrato à six vis</strong>, il est préférable d’utiliser le <strong>modèle Vega-Trem conçu pour les chevalets à six vis</strong>.</p>\r\n
</details> <details> <summary>Quels ressorts choisir selon mon tirant ?</summary>\r\n
<p>Les tirants 009–042 et 010–046 s’équilibrent bien avec des ressorts à tension faible ou moyenne. Les tirants plus forts peuvent nécessiter des ressorts plus fermes.</p>\r\n
</details> <details> <summary>Comment régler le claw et l’angle du chevalet ?</summary>\r\n
<p>Ajustez le claw jusqu’à obtenir l’angle souhaité, proche de la table. Vérifiez que le chevalet revient bien à la note, puis réglez l’action et les pontets selon le confort souhaité.</p>\r\n
</details> <details> <summary>Comment améliorer la stabilité d’accord ?</summary>\r\n
<p>Vérifiez l’appui des pivots, installez correctement les cordes, entretenez le sillet et choisissez des ressorts adaptés. Ainsi, la stabilité dépasse celle d’un vibrato standard à deux pivots.</p>\r\n
</details></div>
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<h2 data-start="898" data-end="960"><strong data-start="923" data-end="958">Câble Blindé à 4 Conducteurs 1m</strong></h2>\r\n
<p data-start="962" data-end="1242">Ce câble à <strong>4 conducteurs</strong> est idéal pour le câblage interne de votre guitare. Il est composé d’un fil de <strong>28AWG</strong>, d’un diamètre extérieur de 3,1 mm et d’un noyau interne avec quatre conducteurs blindés de 0,08mm², un fil de masse non blindé et une isolation en feuille d’aluminium.</p>\r\n
<p data-start="1244" data-end="1696">Ce câble offre une plus grande polyvalence sonore, permettant le <strong>split de bobines</strong>, les combinaisons en <strong>série ou en parallèle</strong>, ainsi que les<strong> inversions de phase</strong>. De plus, il <strong>réduit les interférences électriques</strong> sur les longues connexions, comme entre les contrôles et la prise de sortie, grâce à son blindage relié à la masse. Il est composé de conducteurs en cuivre isolés en polyéthylène, d’une couche de blindage externe et d’une gaine en PVC noir.</p>\r\n
<h2 data-start="1698" data-end="1733"><strong data-start="1698" data-end="1731">Caractéristiques Techniques :</strong></h2>\r\n
<ul data-start="1734" data-end="1834">\r\n
<li data-start="1734" data-end="1768"><strong data-start="1736" data-end="1761">Couleur de la Gaine :</strong> Noir</li>\r\n
<li data-start="1769" data-end="1800"><strong data-start="1771" data-end="1788">Section AWG :</strong> 28AWG x 4</li>\r\n
<li data-start="1801" data-end="1834"><strong data-start="1803" data-end="1820">Section mm² :</strong> 0.08mm² x 4</li>\r\n
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UnhideWhenUsed="true" QFormat="true" Name="heading 2"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 3"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 4"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 5"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>\r\n
<w:LsdException Locked="false" Priority="9" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 6"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 7"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 8"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index 9"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 1"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 2"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 3"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 4"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 5"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 6"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 7"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 8"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="toc 9"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Normal Indent"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="footnote text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="annotation text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="header"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="footer"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="index heading"/>\r\n
<w:LsdException Locked="false" Priority="35" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="caption"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="table of figures"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="envelope address"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="envelope return"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="footnote reference"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="annotation reference"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="line number"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="page number"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="endnote reference"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="endnote text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="table of authorities"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="macro"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="toa heading"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Bullet"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Number"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Bullet 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Bullet 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Bullet 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Bullet 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Number 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Number 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Number 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Number 5"/>\r\n
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Closing"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Signature"/>\r\n
<w:LsdException Locked="false" Priority="1" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="Default Paragraph Font"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text Indent"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Continue"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Continue 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Continue 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Continue 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="List Continue 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Message Header"/>\r\n
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Salutation"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Date"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text First Indent"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text First Indent 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Note Heading"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text Indent 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Body Text Indent 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Block Text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Hyperlink"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="FollowedHyperlink"/>\r\n
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>\r\n
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Document Map"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Plain Text"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="E-mail Signature"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Top of Form"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Bottom of Form"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Normal (Web)"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Acronym"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Address"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Cite"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Code"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Definition"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Keyboard"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Preformatted"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Sample"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Typewriter"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="HTML Variable"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Normal Table"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="annotation subject"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="No List"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Outline List 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Outline List 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Outline List 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Simple 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Simple 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Simple 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Classic 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Classic 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Classic 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Classic 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Colorful 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Colorful 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Colorful 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Columns 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Columns 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Columns 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Columns 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Columns 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 6"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 7"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Grid 8"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 4"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 5"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 6"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 7"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table List 8"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table 3D effects 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table 3D effects 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table 3D effects 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Contemporary"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Elegant"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Professional"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Subtle 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Subtle 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Web 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Web 2"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Web 3"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Balloon Text"/>\r\n
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Theme"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>\r\n
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>\r\n
<w:LsdException Locked="false" Priority="34" QFormat="true"\r\n
Name="List Paragraph"/>\r\n
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>\r\n
<w:LsdException Locked="false" Priority="30" QFormat="true"\r\n
Name="Intense Quote"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>\r\n
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"description_short" => "<h2>Description Générale Frettes Dunlop 6105 Pack de 24 :</h2><p>Les frettes <strong>6105</strong> de Dunlop font partie des meilleures ventes de la marque. Cette présentation de 24 frettes prédécoupées est également parfaite si vous souhaitez simplement refretter une seule guitare. Depuis des décennies, Dunlop est,<strong> le fabricant de frettes le plus renommé</strong>. Des marques telles que <strong>Fender</strong>, <strong>Gibson </strong>ou <strong>PRS</strong> utilisent les frettes Dunlop dans leurs modèles et une multitude d'autres luthiers les utilisent dans la construction et la réparation. Fabriquées en alpaca (maillechort) avec une teneur en nickel de 18 % pour une dureté accrue, les frettes Dunlop sont un choix courant et on les trouve dans les ateliers de guitare et les usines du monde entier.</p><h2 class="MsoNormal">Comment choisir la bonne frette ?</h2><p>C'est une <strong>décision fondamentale</strong> lors de la construction ou de la réparation d'une guitare, sans aucun doute. Les critères de base pour le choix d'une frette <strong>doivent tenir compte de sa forme</strong> (la partie qui surplombe la touche, ou couronne) <strong>et du matériau</strong> dont elle est faite. La largeur et la hauteur de la couronne de la frette ont une influence décisive sur la sensation de jeu du musicien. Bien sûr, chacun a ses propres préférences, mais nous pouvons énumérer un certain nombre de caractéristiques indéniables. Plus les frettes sont basses, plus on se sent à l'aise en jouant des accords. En effet, il y a moins d'efforts à faire pour tendre les cordes. A l'inverse, des frettes plus élevées facilitent la réalisation de techniques telles que les<em> bindings</em> et ont une durée de vie plus longue, car il y a plus de matière pour les réaffûtages successifs de la frette. Quant à la largeur, plus elle est importante, plus le contact avec le manche sera confortable, mais elle nécessitera aussi un travail plus précis au moment de les tailler pour éviter les problèmes d'intonation.</p><p>En ce qui concerne le matériau, on utilise traditionnellement l' <strong>alpaca</strong>. Il s'agit d'un alliage composé de zinc, de cuivre et de nickel qui présente un équilibre idéal entre dureté, résistance à l'abrasion et ductilité. On trouve différentes formulations avec une contenance en <strong>zinc allant de 12 % à 18 %</strong>. Plus ce pourcentage est élevé, plus la frette est dure. Ces dernières années, des frettes fabriquées dans d'autres matériaux tels que le <strong>bronze</strong> ou <strong>l'acier inoxydable</strong> sont apparues et offrent de nouvelles possibilités. Dans ce dernier cas, n'oubliez pas qu'en raison de sa dureté, vous aurez besoin <strong>d'outils spéciaux</strong> pour la travailler.</p><p>Plus d'infos <a href="https://maderasbarber.com/tonewood/img/cms/DUNLOP_FRET_WIRE_CHART.pdf"><strong>sur ce lien</strong></a> où vous trouverez la table de dimensions de toutes les frettes disponibles du catalogue Dunlop.</p><h2 class="MsoNormal">Caractéristiques :</h2><ul><li><strong>Matériau : </strong>Alpaca (18 % nickel)<strong><br /></strong></li><li><strong>Dimensions en millimètres : A </strong>3,070<strong> B </strong>2,360<strong> C </strong>0,864<strong> D </strong>0,559<strong> E </strong>1,5<strong><br /></strong></li><li><strong>Set de 24 pièces précoupées</strong></li></ul>"
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"description_short" => "<ul> <li> <strong> Pour Guitare Acoustique / Électrique<br /><br /> </strong> </li> <li> <strong> Set 12 und<br /> </strong> </li> <li> <strong> 12%Nickel<br /><br /> </strong> </li> <li> <strong> Long: </strong> 130 mm<br /><br /> </li> <li> <strong> Description: </strong> Les frettes Sintoms triangulaires sont spécialement conçues pour les enregistrements en studio. Elles rendent le son de l’instrument plat, lumineux et clair.<p class="MsoNormal">Les frettes sintoms sont une référence dans le monde des guitares et c’est grâce au résultat de plus de 30 ans de recherche, ce sont des produits qui sont conçus et produits selon les besoins des musiciens et des luthiers du monde entier.</p><p class="MsoNormal">Sintoms utilise une technologie de pointe et des matériaux de haute qualité qui empêchent d’absorber le son et améliorent le sustain sur les instruments en obtenant un son clair et lumineux, en plus de la précision de fabrication permet de réduire le temps de montage. Les frettes sintoms ont une haute résistance à l'usure car elles sont fabriquées en alpaga avec des pourcentages différents de nickel. Nous pouvons également trouver des frettes en acier inoxydable, laiton, bronze, titane et alliage anti-allergique.</p> </li> <li> <strong> <strong> Observations: </strong> 1 set est la quantité approximative nécessaire pour construire une guitare.<p class="MsoNormal"></p><p></p> </li> </ul> <p><a href="#our_price_display" class="btn btn-default">Faites clic pour choisir la quantité</a></p>"
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