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Hueso acabado para Bajo Eléctrico DJ-29
Ref: 12820
En stock
- Medidas: 52x6x9.3/8mm
- Origen: Bovino
- Radio: 9,5''
- Base Curva
- Descripción: Hueso acabado para bajo eléctrico de 6 cuerdas. Ranuras para cuerdas pretalladas.
12820
50 Produits
Fiche technique
- Type d'Accastillage: Os pour Sillet de Tête et Chevalet
- Instrument: Basse Électrique
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<h2>Varillas en Fibra de Carbono para rigidizar los Mangos.</h2>\r\n
<p><span class="hps">La tendencia hacia <span> <span> secciones más delgadas en el mango de <span> <span class="hps">la guitarra <span> <span class="hps">ha hecho que <span> <span class="hps">algunos <span> <span class="hps">de refuerzos <span> <span class="hps">adicionales sean necesarios <span> <span class="hps">. <span> <span class="hps">Los primeros <span> <span class="hps">intentos de hacer <span> <span> el mango más estable <span> <span> <span> <span class="hps">fue <span> <span class="hps">pegando <span> <span class="hps">dos o más <span> <span class="hps">piezas de madera <span> <span>, <span> <span class="hps">luego insertar <span> <span class="hps">barras de metal <span> <span>, <span> <span class="hps">tubos cuadrados <span> <span class="hps">y perfiles <span> <span class="hps">en U <span> <span>, barras <span> <span class="hps">de celosía <span> <span class="hps">ajustables y <span> <span class="hps">combinaciones de éstos. <span> <span class="hps">Siguiendo <span> <span class="hps">esta evolución, aparecieron n <span> <span class="hps">uevos <span> <span class="hps">materiales técnicos <span> <span> que <span> <span class="hps"> también encontraron <span> <span class="hps">su lugar <span> <span class="hps">en <span> <span class="hps">la construcción de instrumentos <span> <span>. <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p><span>. <span> <span class="hps">Ahora <span> <span class="hps">las <span> <span class="hps">barras de grafito encuentran <span> <span> <span> <span class="hps">su lugar en la <span> <span class="hps">luthería <span> <span>. <span> <span class="hps">De peso ligero <span> <span>, rígidez <span> <span class="hps">suficiente para <span> <span class="hps">hacer el trabajo, <span> <span class="hps">los mangos pueden ser <span> <span class="hps"> más delgados <span> <span>, <span> <span class="hps">permanecer rígidos y <span> <span class="hps">estables <span> <span class="hps">, lo que <span> <span class="hps">es <span> <span class="hps">importante para la estabilidad <span> <span class="hps">de afinación <span> <span>, la transferencia de <span> <span class="hps">la vibración <span> <span>, el ataque, <span> <span class="hps">al tiempo que permite <span> <span class="hps">mantener la <span> <span class="hps">comodidad <span> <span> al interpretar <span> <span class="hps">. <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p><strong> Pero es el uso de la varilla de carbono la mejor solución? </strong></p>\r\n
<p> <span class="hps">La fibra de carbono <span> <span class="hps">está disponible con muchas variantes <span> <span class="hps"> y <span> <span class="hps">el grosor de las <span> <span class="hps">fibras <span> <span>, junto <span> <span class="hps">a la rigidez <span> <span class="hps">de las mismas <span> <span> <span> <span class="hps">y <span> <span class="hps">las resinas utilizadas <span> <span class="hps">para unir las fibras <span> <span>, <span> <span class="hps">tiene una influencia <span> <span class="hps">sobre la varilla <span> <span class="hps">acabada. <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p><span class="hps">Se <span> <span class="hps">encontró que <span> <span class="hps">mediante el ajuste de <span> <span class="hps">la formulación <span> <span class="hps">de la fibra y <span> <span class="hps">resinas <span> <span class="hps">/ <span> <span class="hps">aditivos <span> <span class="hps">las varilla <span> <span> <span> <span class="hps">finales <span> <span class="hps">respondieron de manera diferente <span> <span class="hps">al vibración del sonido <span> <span>. <span> <span class="hps">Mediante la inserción de <span> <span> varillas de alta respuesta en el mango de <span> <span class="hps"> la guitarra <span> <span> se <span> <span class="hps">encontraron <span> <span> <span> <span class="hps">mejoras en <span> <span> la transmisión y sonoridad <span> <span class="hps">de la guitarra. <span> <span> <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p><span class="hps">La optimización de <span> <span class="hps">la dimensión del <span> <span class="hps">perfil también <span> <span class="hps"> asegura de que <span> queda suficiente madera <span class="hps">por debajo de la <span> <span class="hps">cavidad de <span> <span class="hps">la varilla. <span> <span class="hps">Un <span> <span class="hps">beneficio práctico <span> <span class="hps">de la utilización de <span> <span class="hps">una varilla <span> <span class="hps">más gruesa <span> <span class="hps atn">( <span> 4 mm) <span class="hps">es la disponibilidad <span> <span class="hps">y la durabilidad de <span> <span class="hps">los cortadores de <span> <span class="hps">router. <span> <span class="hps">Cortadores <span> <span class="hps">de 4 mm <span> <span class="hps">son un 25% <span> <span class="hps">más fuerte que <span> <span class="hps">los cortadores <span> <span class="hps">de 3 mm <span> <span class="hps">y se cortan <span> <span class="hps">más rápido. <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p> <span class="hps">Investigando <span> <span> <span> <span class="hps">la respuesta general <span> <span class="hps">y en busca de <span> <span class="hps">una mayor fuerza <span> <span>, <span> <span class="hps">Se <span> <span> <span> <span class="hps">desarrolló el <span> <span class="hps">perfil "U" <span> <span class="hps">. <span> <span class="hps">Dar <span> <span class="hps">gran fortaleza <span> <span class="hps">en todo su <span> <span> perfil <span> <span>, es ideal para <span> <span class="hps">refuerzo <span> <span> del mango <span> <span class="hps">. <span> <span> T <span> <span class="hps">ambién se descubrió que <span> <span class="hps">pegar <span> <span class="hps">dos varillas de <span> <span class="hps">"U" <span> <span class="hps">juntos en <span> <span class="hps">el canal <span> <span class="hps">del mango <span> <span> <span> <span class="hps">para formar <span> <span class="hps">un perfil de <span> <span class="hps">sección de caja <span> <span class="hps">proporciona <span> <span class="hps">una cámara de aire <span> <span class="hps">que <span> <span class="hps">mejora aún más <span> <span class="hps">el tono <span> <span class="hps">y transmisión <span> <span> <span> <span class="hps">del cuello. <span> </span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></span></p>\r\n
<p> </p>
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<ul>\r\n
<li><strong> Dimensions : </strong> 580x8,5x4 mm</li>\r\n
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<h2><strong>Frette Hosco HFS-J1-P24 Acier Inoxydable Jumbo Set 24 Pièces</strong></h2>\r\n
<p>Le modèle <strong>HFS-J1-P24</strong> de <strong>Hosco</strong> est fabriqué en <strong>acier inoxydable</strong>, offrant une résistance exceptionnelle à l’usure et une durée de vie bien supérieure au maillechort traditionnel. Ce set comprend <strong>24 frettes pré-coupées</strong> qui, bien que déjà adaptées à la largeur de la touche, nécessitent toujours un ajustement final après installation.</p>\r\n
<p>Avec un profil <strong>Jumbo</strong>, elles présentent une couronne de <strong>1,45 mm</strong> de hauteur et <strong>2,9 mm</strong> de largeur. Les <strong>pieds</strong> mesurent 0,6 mm et les <strong>griffes</strong> atteignent une largeur totale de 0,95 mm, une spécification qui assure une bonne tenue dans les rainures existantes et les rend particulièrement adaptées au <strong>refrettage</strong>. De plus, les pieds sont <strong>réduits pour binding</strong>, ce qui facilite l’installation sur les touches filetées.</p>\r\n
<p>Les pièces sont <strong>pré-courbées à un radius de 10"</strong> et pré-coupées avec des longueurs progressives, adaptées à l’élargissement de la touche : environ <strong>43 mm</strong> près du sillet et jusqu’à <strong>53 mm</strong> autour de la 12e frette. La <strong>fabrication japonaise</strong> garantit un contrôle de qualité rigoureux et une finition uniforme de toutes les pièces.</p>\r\n
<h2><strong>Caractéristiques Techniques</strong></h2>\r\n
<ul>\r\n
<li><strong>Matériau :</strong> Acier inoxydable</li>\r\n
<li><strong>Profil :</strong> Jumbo</li>\r\n
<li><strong>Hauteur de la frette :</strong> 1,45 mm</li>\r\n
<li><strong>Largeur de la couronne :</strong> 2,9 mm</li>\r\n
<li><strong>Radius :</strong> 10"</li>\r\n
<li><strong>Pieds :</strong> Réduits pour binding</li>\r\n
<li><strong>Pieds :</strong> 0,6 mm</li>\r\n
<li><strong>Largeur totale (avec griffes) :</strong> 0,95 mm</li>\r\n
<li><strong>Longueur par pièce :</strong> 43–53 mm (pré-coupées, progressives)</li>\r\n
<li><strong>Format :</strong> Set de 24 frettes pré-coupées</li>\r\n
<li><strong>Qualité :</strong> Fabrication japonaise</li>\r\n
</ul>
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<h2 class="MsoNormal">Description général du Set de Frettes Sintoms Spécial laiton 2,0 mm</h2>\r\n
<p>Le jeu de frettes en laiton de 2,00 mm de SINTOMS est un modèle fabriqué par le principal fabricant de frettes de l'industrie, SINTOMS. Ces frettes sont fabriquées en laiton, ce qui signifie qu'elles sont <strong>particulièrement adaptées aux restaurations historiques, apportant à l'instrument une touche et un aspect classiques.</strong></p>\r\n
<h2>Caractéristiques:</h2>\r\n
<ul>\r\n
<li><b>Quantité: </b>Set de 6 unités</li>\r\n
<li><strong>Taille: </strong>Vintage 2,00mm x 1.00mm (longueur 130mm)</li>\r\n
<li><b>Matériel: </b>Laiton</li>\r\n
</ul>\r\n
<p class="MsoNormal"></p>\r\n
<h2 class="MsoNormal">Quels éléments dois-je prendre en compte lors du choix d'une taille de frettes ?</h2>\r\n
<p class="MsoNormal" style="font-size: 11px; font-weight: 400;"><strong>Les Frettes sont une partie fondamental de l'instrument et est en constant contact avec les doigts du musicien. </strong>C'est pour cela que son choix est très important pour la construction de l'instruments de musique.</p>\r\n
<p style="font-size: 11px; font-weight: 400;">En ce qui concerne la facilité d'exécution, il faut tenir compte de deux facteurs :<strong> la hauteur et la largeur des frettes.</strong></p>\r\n
<p style="font-size: 11px; font-weight: 400;">La hauteur des frettes fait référence à la distance entre la touche et la partie supérieure de la frette. Avec des frettes plus hautes, il y a moins de contact entre les doigts et la touche. Ainsi, moins de pression est nécessaire pour faire sonner les notes. <strong>Cela facilite des techniques telles que le bending et le tapping.</strong></p>\r\n
<p style="font-size: 11px; font-weight: 400;">D'autre part, la largeur des frettes fait référence à la largeur de la partie supérieure des frettes. Avec des frettes plus larges, l'angle entre la touche et la partie supérieure de la couronne de la frette est plus petit. Cela facilite le glissement sur la touche. <strong>Cela contribue à une sensation plus douce lors de la manipulation de frettes plus larges. Et cela facilite également le pliage des cordes.</strong></p>\r\n
<h2 class="MsoNormal">Outils pour Frettes:</h2>\r\n
<p style="font-size: 11px; font-weight: 400;">Chez Maderas Barber, vous trouverez <strong>une large gamme d'outils </strong>pour vous aider dans l'installation des frettes. Parmi ces outils, on trouve<strong><a href="https://maderasbarber.com/tonewood/es/limas-japonesas-trastes/2874-lima-para-trastes-estrechos-uo-chikyu-1r.html"> des limes pour le recordage des frettes</a>,</strong> des disques de découpe pour créer les rainures sur la touche<strong>, <a href="https://maderasbarber.com/tonewood/es/summit/1841-cortador-de-traste-con-martillo.html%20%20%C2%A0">des coupe-frettes</a></strong> et<strong> <a href="https://maderasbarber.com/tonewood/es/summit/1972-dispositivo-de-presion-multitarea-para-luthiers.html">des dispositifs de pression pour les luthiers.</a></strong> Nous proposons également<strong> <a href="https://maderasbarber.com/tonewood/es/pulimentos-y-tapa-poros/6461-kit-reparador-y-pulimento-para-trastes-.html">des kits de réparation</a> </strong>et des produits pour polir et<strong><a href="https://maderasbarber.com/tonewood/es/abrasivos-y-pulimentos/6453-pulimento-y-limpiador-para-trastes-.html"> nettoyer les frettes.</a></strong></p>\r\n
<p style="font-size: 11px; font-weight: 400;">De plus, nos experts sont disponibles pour vous conseiller dans le choix des outils et des frettes adaptés à votre instrument</p>\r\n
<p></p>
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<h2>Description général du Set de 12 Frettes SINTOMS Maillechort 2,7mm:</h2>\r\n
<p><b>L'ensemble de 12 Frettes SINTOMS en Maillechort de 2,7 mm est fabriqué par l'un des principaux fabricants mondiaux de Frettes. Ces Frettes sont en Maillechort, également connue sous le nom d'argent allemand, un alliage composé de zinc, de cuivre et de nickel.</b></p>\r\n
<p>L'ensemble de trastes SINTOMS comprend douze trastes de 2,7 mm, parfaits pour ceux qui recherchent un son précis et durable sur leur instrument. </p>\r\n
<h2 class="MsoNormal">Quels aspects dois-je prendre en compte lors du choix de la taille des frettes ?</h2>\r\n
<p class="MsoNormal"><span style="font-size: 11px;"><strong>Les frettes sont une partie fondamentale de l'instrument et sont constamment en contact avec les doigts du musicien.</strong> C'est pourquoi leur choix joue un rôle très important dans la construction de l'instrument.</span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">En ce qui concerne la facilité d'exécution, nous devons prendre en compte deux facteurs : <strong>la hauteur et la largeur des frettes.</strong></span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">La hauteur des frettes fait référence à la distance entre la touche et la partie supérieure de la frette. Avec des frettes plus hautes, il y a moins de contact entre les doigts et la touche. Ainsi, moins de pression est nécessaire pour faire sonner les notes.<strong> Cela facilite des techniques telles que le bending et le tapping.</strong></span></p>\r\n
<p class="MsoNormal"><span style="font-size: 11px;">D'autre part, la largeur des frettes fait référence à la largeur de la partie supérieure des frettes. Avec des frettes plus larges, l'angle entre la touche et la partie supérieure de la couronne de la frette est plus petit. <strong>Cela facilite le glissement sur la touche. Cela contribue à une sensation plus douce lors du jeu avec des frettes plus larges. Et cela facilite également le pliage des cordes.</strong></span></p>\r\n
<h2 class="MsoNormal">Outils pour Frettes:</h2>\r\n
<p>Chez Maderas Barber, vous trouverez une <strong>large sélection d'outils</strong> pour vous aider à installer les frettes. Parmi ces outils, on trouve des<strong> <a href="https://maderasbarber.com/tonewood/es/limas-japonesas-trastes/2874-lima-para-trastes-estrechos-uo-chikyu-1r.html">limes pour refaire les frettes</a>,<a href="https://maderasbarber.com/tonewood/es/trastes/6923-disco-cortador-sintoms-ranura-trastes-043mm.html"> des disques de découpe</a></strong> pour créer les rainures sur la touche, des<strong> <a href="https://maderasbarber.com/tonewood/es/summit/1841-cortador-de-traste-con-martillo.html%20%20%C2%A0">coupe-frettes</a></strong> et des<a href="https://maderasbarber.com/tonewood/es/summit/1972-dispositivo-de-presion-multitarea-para-luthiers.html"><strong> dispositifs de pression pour luthiers</strong>.</a> Nous proposons également des<strong> <a href="https://maderasbarber.com/tonewood/es/pulimentos-y-tapa-poros/6461-kit-reparador-y-pulimento-para-trastes-.html">kits de réparation</a> </strong>et des produits pour polir et <strong><a href="https://maderasbarber.com/tonewood/es/abrasivos-y-pulimentos/6453-pulimento-y-limpiador-para-trastes-.html">nettoyer les frettes.</a></strong></p>\r\n
<p>De plus,<strong> nos experts sont disponibles pour vous conseiller dans le choix des outils et des frettes adaptés à votre instrument</strong></p>\r\n
<h2>Caractéristiques:</h2>\r\n
<ul>\r\n
<li><b>Quantité : </b>Ensemble de 12 unités</li>\r\n
<li><b>Taille : </b>Jumbo 2,7 mm, longueur de 130 mm</li>\r\n
<li><b>Matériau :</b> Maillechort, composition de 12% de nickel</li>\r\n
</ul>
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"description_short" => """
<h2>Making Poor Man's Guitars: Cigar Box Guitars and Other DIY Instruments:</h2>\r\n
<p>De nombreux livres ont été écrits sur la manière de fabriquer des guitares avec des boîtes à cigares et d'autres instruments uniques faits à la main... mais peu d'entre eux ont expliqué pourquoi. Ce livre présente les <strong>histoires authentiques de la musique DIY américaine</strong> avec des projets étape par étape, des études photographiques d'instruments vintage, des interviews de légendes de la musique et des récits historiques. </p>\r\n
<p>Shane Speal, le "<strong>roi de la guitare avec boîte de cigares",</strong> ramène la création musicale et les instruments de musique à leurs racines. D'une simple guitare en boîte à deux cordes à une basse électrique, Shane montre comment n'importe qui peut fabriquer des instruments de musique étonnants à partir d'objets trouvés.</p>\r\n
<p>Les barres latéraux présentent l'histoire fascinante de la musique, capturant la lutte, la pauvreté et le blues au sein de l'aspect artistique de la fabrication de guitares avec boîte de cigares. Avec une introduction du <strong>Musée du Jazz de la Nouvelle-Orléans</strong>, ce livre sur les instruments de <strong>musique bricolés</strong> est aussi inspirant à lire dans le salon que dans l'atelier.</p>\r\n
<p></p>\r\n
<h2>Caractéristiques : </h2>\r\n
<p><strong>Date de publication</strong> : 2018</p>\r\n
<p><strong>Reliure</strong> : Couverture souple</p>\r\n
<p><strong>ISBN</strong> : 978-1-56523-946-3</p>\r\n
<p><strong>Éditeur</strong> : Fox Chapel Publishing</p>\r\n
<p><strong>Dimension</strong>s : 255 x 202 x 12 mm</p>\r\n
<p><strong>Nombre de pages</strong> : 176</p>\r\n
<p><strong>Langue</strong> : anglais</p>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Table Web 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>\r\n
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>\r\n
<w:LsdException Locked="false" Priority="34" QFormat="true"\r\n
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>\r\n
<w:LsdException Locked="false" Priority="30" QFormat="true"\r\n
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="19" QFormat="true"\r\n
Name="Subtle Emphasis"/>\r\n
<w:LsdException Locked="false" Priority="21" QFormat="true"\r\n
Name="Intense Emphasis"/>\r\n
<w:LsdException Locked="false" Priority="31" QFormat="true"\r\n
Name="Subtle Reference"/>\r\n
<w:LsdException Locked="false" Priority="32" QFormat="true"\r\n
Name="Intense Reference"/>\r\n
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>\r\n
<w:LsdException Locked="false" Priority="37" SemiHidden="true"\r\n
UnhideWhenUsed="true" Name="Bibliography"/>\r\n
<w:LsdException Locked="false" Priority="39" SemiHidden="true"\r\n
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>\r\n
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>\r\n
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>\r\n
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>\r\n
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>\r\n
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>\r\n
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>\r\n
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>\r\n
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>\r\n
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="Grid Table 1 Light Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="Grid Table 6 Colorful Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="Grid Table 7 Colorful Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="Grid Table 1 Light Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="Grid Table 6 Colorful Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="Grid Table 7 Colorful Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="Grid Table 1 Light Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="Grid Table 6 Colorful Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="Grid Table 7 Colorful Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="Grid Table 6 Colorful Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="Grid Table 7 Colorful Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="Grid Table 1 Light Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
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<w:LsdException Locked="false" Priority="52"\r\n
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<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
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<w:LsdException Locked="false" Priority="52"\r\n
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<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>\r\n
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>\r\n
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
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<w:LsdException Locked="false" Priority="52"\r\n
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<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="List Table 6 Colorful Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="List Table 7 Colorful Accent 2"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="List Table 1 Light Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
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<w:LsdException Locked="false" Priority="52"\r\n
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<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="List Table 6 Colorful Accent 4"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
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<w:LsdException Locked="false" Priority="46"\r\n
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<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="List Table 6 Colorful Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="List Table 7 Colorful Accent 5"/>\r\n
<w:LsdException Locked="false" Priority="46"\r\n
Name="List Table 1 Light Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="51"\r\n
Name="List Table 6 Colorful Accent 6"/>\r\n
<w:LsdException Locked="false" Priority="52"\r\n
Name="List Table 7 Colorful Accent 6"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Mention"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Smart Hyperlink"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Hashtag"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Unresolved Mention"/>\r\n
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"\r\n
Name="Smart Link"/>\r\n
</w:LatentStyles>\r\n
</xml><![endif]--><!-- [if gte mso 10]>\r\n
<style>\r\n
/* Style Definitions */\r\n
table.MsoNormalTable\r\n
\t{mso-style-name:"Tabla normal";\r\n
\tmso-tstyle-rowband-size:0;\r\n
\tmso-tstyle-colband-size:0;\r\n
\tmso-style-noshow:yes;\r\n
\tmso-style-priority:99;\r\n
\tmso-style-parent:"";\r\n
\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\r\n
\tmso-para-margin-top:0cm;\r\n
\tmso-para-margin-right:0cm;\r\n
\tmso-para-margin-bottom:10.0pt;\r\n
\tmso-para-margin-left:0cm;\r\n
\tline-height:115%;\r\n
\tmso-pagination:widow-orphan;\r\n
\tfont-size:11.0pt;\r\n
\tfont-family:"Calibri",sans-serif;\r\n
\tmso-ascii-font-family:Calibri;\r\n
\tmso-ascii-theme-font:minor-latin;\r\n
\tmso-hansi-font-family:Calibri;\r\n
\tmso-hansi-theme-font:minor-latin;\r\n
\tmso-fareast-language:EN-US;}\r\n
</style>\r\n
<![endif]-->45x6x9/8mm</li>\r\n
<li><strong>Origen:</strong> Bovino</li>\r\n
<li><strong>Radio:</strong> 9,5''</li>\r\n
<li><strong>Base Curva</strong></li>\r\n
<li><strong>Descripción: </strong><!-- [if gte mso 9]><xml>\r\n
<o:OfficeDocumentSettings>\r\n
<o:RelyOnVML/>\r\n
<o:AllowPNG/>\r\n
</o:OfficeDocumentSettings>\r\n
</xml><![endif]--><!-- [if gte mso 9]><xml>\r\n
<w:WordDocument>\r\n
<w:View>Normal</w:View>\r\n
<w:Zoom>0</w:Zoom>\r\n
<w:TrackMoves/>\r\n
<w:TrackFormatting/>\r\n
<w:HyphenationZone>21</w:HyphenationZone>\r\n
<w:PunctuationKerning/>\r\n
<w:ValidateAgainstSchemas/>\r\n
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>\r\n
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>\r\n
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>\r\n
<w:DoNotPromoteQF/>\r\n
<w:LidThemeOther>ES</w:LidThemeOther>\r\n
<w:LidThemeAsian>X-NONE</w:LidThemeAsian>\r\n
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>\r\n
<w:Compatibility>\r\n
<w:BreakWrappedTables/>\r\n
<w:SnapToGridInCell/>\r\n
<w:WrapTextWithPunct/>\r\n
<w:UseAsianBreakRules/>\r\n
<w:DontGrowAutofit/>\r\n
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<li><a href="https://maderasbarber.com/tonewood/fr/electronique/10370-bobina-hilo-cobre-para-pastillas-42-awg-enamel-500g.html">Fil de cuivre émaillé 42 AWG pour micros</a></li>\r\n
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"description_short" => "<h2>Description Générale Frettes Dunlop 6105 Rouleau 900 gr :</h2><p>Les frettes <strong>6105</strong> de Dunlop font partie des meilleures ventes de la marque. Ce format en rouleau est le plus rentable en termes de rapport quantité/prix. Depuis des décennies, Dunlop est,<strong> le fabricant de frettes le plus renommé</strong>. Des marques telles que <strong>Fender</strong>, <strong>Gibson </strong>ou <strong>PRS</strong> utilisent les frettes Dunlop dans leurs modèles et une multitude d'autres luthiers les utilisent dans la construction et la réparation. Fabriquées en alpaca (maillechort) avec une teneur en nickel de 18 % pour une dureté accrue, les frettes Dunlop sont un choix courant et on les trouve dans les ateliers de guitare et les usines du monde entier.</p><h2 class="MsoNormal">Comment choisir la bonne frette ?</h2><p>C'est une <strong>décision fondamentale</strong> lors de la construction ou de la réparation d'une guitare, sans aucun doute. Les critères de base pour le choix d'une frette <strong>doivent tenir compte de sa forme</strong> (la partie qui surplombe la touche, ou couronne) <strong>et du matériau</strong> dont elle est faite. La largeur et la hauteur de la couronne de la frette ont une influence décisive sur la sensation de jeu du musicien. Bien sûr, chacun a ses propres préférences, mais nous pouvons énumérer un certain nombre de caractéristiques indéniables. Plus les frettes sont basses, plus on se sent à l'aise en jouant des accords. En effet, il y a moins d'efforts à faire pour tendre les cordes. A l'inverse, des frettes plus élevées facilitent la réalisation de techniques telles que les<em> bindings</em> et ont une durée de vie plus longue, car il y a plus de matière pour les réaffûtages successifs de la frette. Quant à la largeur, plus elle est importante, plus le contact avec le manche sera confortable, mais elle nécessitera aussi un travail plus précis au moment de les tailler pour éviter les problèmes d'intonation.</p><p>En ce qui concerne le matériau, on utilise traditionnellement l' <strong>alpaca</strong>. Il s'agit d'un alliage composé de zinc, de cuivre et de nickel qui présente un équilibre idéal entre dureté, résistance à l'abrasion et ductilité. On trouve différentes formulations avec une contenance en <strong>zinc allant de 12 % à 18 %</strong>. Plus ce pourcentage est élevé, plus la frette est dure. Ces dernières années, des frettes fabriquées dans d'autres matériaux tels que le <strong>bronze</strong> ou <strong>l'acier inoxydable</strong> sont apparues et offrent de nouvelles possibilités. Dans ce dernier cas, n'oubliez pas qu'en raison de sa dureté, vous aurez besoin <strong>d'outils spéciaux</strong> pour la travailler.</p><p>Plus d'infos <a href="https://maderasbarber.com/tonewood/img/cms/DUNLOP_FRET_WIRE_CHART.pdf" data-mce-href="https://maderasbarber.com/tonewood/img/cms/DUNLOP_FRET_WIRE_CHART.pdf"><strong>sur ce lien</strong></a> où vous trouverez la table de dimensions de toutes les frettes disponibles du catalogue Dunlop.</p><h2 class="MsoNormal">Caractéristiques :</h2><ul><li><strong>Matériau : </strong>Alpaca (18 % nickel)<strong><br></strong></li><li><strong>Dimensions en millimètres : </strong><strong>A</strong> 3,070<strong> B </strong>2,360<strong> C </strong>0,864<strong> D </strong>0,559<strong> E </strong>1,5<strong></strong></li><li><strong>Rouleau de 900 gr.<br></strong></li></ul>"
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<h2><strong>Description du Chevalet de Basse Fender Style 5-Screw Aluminium Or Hipshot</strong></h2>\r\n
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<h2><strong>Caractéristiques</strong></h2>\r\n
<ul style="list-style-type: disc;">\r\n
<li><strong>Matériau du châssis :</strong> Aluminium</li>\r\n
<li><strong>Matériau du sillet :</strong> Laiton</li>\r\n
<li><strong>Cordes :</strong> 4</li>\r\n
<li><strong>Couleur :</strong> Or</li>\r\n
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<h2 data-start="1362" data-end="1440"><strong data-start="1365" data-end="1438">Description de la Plaque de Base pour Micro P-90 50mm Alpaca Nickelé</strong></h2>\r\n
<p>Cette <strong data-start="2181" data-end="2217">plaque de base en alpaca nickelé</strong> est idéale pour fabriquer un <strong data-start="2247" data-end="2261">micro P-90</strong> avec un <strong data-start="2270" data-end="2303">espacement des cordes de 50mm</strong>, <strong data-start="2305" data-end="2323">de type Gibson</strong>. Elle constitue la <strong data-start="2343" data-end="2351">base</strong> sur laquelle sont assemblés les autres <strong data-start="2391" data-end="2414">composants du micro</strong>, tels que les <strong data-start="2429" data-end="2472">aimants Alnico, l’entretoise, la bobine</strong>, etc.</p>\r\n
<p data-start="1442" data-end="2173">Le <strong data-start="1445" data-end="1459">micro P-90</strong> a été développé par <strong data-start="1480" data-end="1498">Gibson en 1946</strong> comme une évolution de ses premiers <strong data-start="1535" data-end="1563">micros à simple bobinage</strong>. Son design, attribué à <strong data-start="1588" data-end="1605">Walter Fuller</strong>, comportait une <strong data-start="1622" data-end="1647">bobine large et plate</strong> avec des <strong data-start="1657" data-end="1675">aimants Alnico</strong> placés sous les <strong data-start="1692" data-end="1711">plots réglables</strong>, ce qui lui conférait un <strong data-start="1737" data-end="1772">son plus chaud et plus puissant</strong> que les <strong data-start="1781" data-end="1806">micros de type Fender</strong> de l’époque. À l’origine, il a été utilisé sur des <strong data-start="1858" data-end="1883">modèles emblématiques</strong> comme la <strong data-start="1893" data-end="1928">Gibson Les Paul Goldtop de 1952</strong> et les <strong data-start="1936" data-end="1948">archtops</strong> de la marque. Bien qu’il ait été remplacé dans les <strong data-start="2000" data-end="2013">années 50</strong> par les <strong data-start="2022" data-end="2043">micros humbuckers</strong>, le <strong data-start="2048" data-end="2056">P-90</strong> reste très apprécié pour son <strong data-start="2086" data-end="2111">ton épais et articulé</strong>, équilibrant <strong data-start="2125" data-end="2149">brillance et chaleur</strong> d’une manière unique.</p>\r\n
<h2 data-start="2482" data-end="2518"><strong data-start="2485" data-end="2516">Caractéristiques Techniques</strong></h2>\r\n
<ul data-start="2520" data-end="2579">\r\n
<li data-start="2520" data-end="2553"><strong data-start="2522" data-end="2536">Matériau :</strong> Alpaca nickelé</li>\r\n
<li data-start="2554" data-end="2579"><strong data-start="2556" data-end="2572">Espacement :</strong> 50mm</li>\r\n
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